Chris Thile - Bach: Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro descargar videos gratis

Nam Hoang Nguyen

Found this song in an Apple Store. Absolutely love it

Steve the Balladeer

Johann Sebastian Bach born March 21, 1685 , in Eisenbach, Germany. Here is mandolin master Chris Thile playing Bach.

Mark C

six people pressed the wrong button. This guy is a truly amazing player. I tried to get tickets to the Shepherds Bush gig last year. The arpeggio run at around 2:00 is wonderful. 

Rust Wrangler

correction! Your 3 friends

Rust Wrangler

Chris, Thanks for your generosity. Will see you tonight perform with your two friends in Dallas-

david dearholt

whisky..

wupeide

Amazing!

Jackson McPartland

I love this song so much I actually met u once in Chicago at a punch bros. concert ( I'm 12)

Robert Angell

Wow. Just ... Wow.

Troy Tangeman

Buying this today; sounds amazing Chris.

Joey Nadler

This is mind blowing.

Benj. Evans

Solo Deo Gloria! and well done, Thile, as usual

Keagan Wall

Chris, just when I think I'm done playing mandolin for the day, you always make me wanna pick it back up again. This album certainly gives me a new appreciation for Bach. As I think was your hope with this album. It's a masterpiece of a masterpiece.

Davy Dickson

This is fantastic! In response to the conversations about whether this was written for Violin or Lute...this piece is the 2nd movement - Fugue from the 1st violin sonata BWV1001. The Lute version is BWV1000, very similar but with a markedly different opening. I'd recommend listening to Julian Bream's performance on youtube.

eahenryii

respect++

rad1009

Maybe I'm just jaded from all the fake Barack Obamas and other celebrity accounts.

bachplayer13

kickin job, rock on!

Ben Soller

From someone who grew up playing Bach on the violin, I think it sounds awesome. It makes you want to go listen to more Bach and more of this. What could be be better?

4laime4

mainly the fact that, as a classical player I played this piece, and that the fugua was called BWV 1001 for Luthe. I have not searched the internet to get my answer, but when you play the piece and see the way it is written, there are clearly part of the piece that do not seem written for the violin. In way of harmony, of sustains, and resonnance this piece looks more like it's been written for a plucked string instrument. After that, it seems that the luthe work stops at BWV1000. This is1001

sepptrutsch

It is up to taste which instrument brings the best out of the piece. But since Bach wrote it for Violin it seems quite a leap to me to me to suggest that the piece is actually closer to what Bach had in mind on the Mandolin then the Violin, after all, Bach played the Violin himself!

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