Carminho - Voltar A Ser descargar videos gratis
Eu vou
Voltar a ser
Tudo o que eu já fui um dia
Tudo o que eu já queria ser
Antes de te querer
Eu vou
Voltar a ver
O lado bom das pessoas
As suas coisas boas
Antes de entristecer
Mais vale somar paixão
Somar desilusão
Até tudo nos doer
Porque eu vou
Voltar a ser
Tudo o que eu já fui um dia
Tudo o que eu já queria ser
Antes de te querer
Eu sei
Que vou voltar
Ao coração por um fio
Porque é do meu feitio
Nem sei como mudar
Mais vale somar paixão
Somar desilusão
Até tudo nos doer
Porque eu vou
Voltar a ser
Tudo o que eu já fui um dia
Tudo o que eu já queria ser
Antes de te querer
Porque eu vou
Voltar a ser
Tudo o que eu já fui um dia
Tudo o que eu já queria ser
Antes de te perder
I will
Back to
All I've been one day
All I ever wanted to be
Before you want to
I will
Back to browse
The good side of people
Its good stuff
Prior to grieve
Better add passion
sum disappointment
Until all the hurts
Because I'm
Back to
All I've been one day
All I ever wanted to be
Before you want to
I know
I'm going back
At the heart by a thread
Why is my style
I do not know how to change
Better add passion
sum disappointment
Until all the hurts
Because I'm
Back to
All I've been one day
All I ever wanted to be
Before you want to
Because I'm
Back to
All I've been one day
All I ever wanted to be
Before you lose
Maria do Carmo Carvalho Rebelo de Andrade (born on 20 August 1984, in Lisbon), better known as Carminho, is a Portuguese fado singer. She's featured on Pablo Alborán's "Perdóname" which was a number-one single in the Spanish charts.
The most widely recognized music of Portugal is fado, and it's been an extremely popular form among the Portuguese for nearly two centuries. Fado is a bluesy music that began to gain popularity among the urban poor of Lisbon in the 19th century. Brazilian and North African influences helped shape fado, as did Portuguese poetry and modinha ballads. The roots of Fado are frequently traced to Brazilian immigrants who brought their fofa and lundu dance music to Portugal in the early 1800s. Similar to Tango, Fado was initially perceived by the bourgeoisie as a disreputable, lower-class music.
