VOICE LESSONS 3/5 - High Notes Master Class for Opera Soprano video free download


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Duration: 05:38
Uploaded: 2009/01/16

HIGH NOTES VOICE LESSONS 3/5 by the Maestro MARIO CANANA in Italy, professional voice and vocal training techniques and tips to express better singing high notes for professional Sopranos and tenors of the aria and romanza of the operas from ITALIAN BEL CANTO. The Maestro Mario Cananà explain to the soprano LORELLA TAFURO his technique to sing in a perfect way, and how important it is to have a NATURAL HIGH NOTES anytime to sing arias and romanzas as vocal professional training

ITALIAN LYRICAL MUSIC LESSONS for Sopranos (Soprani) and Tenors (tenori) Music vocal and voice exercises as training of music lessons in Italy. The vocal Lessons for Tenor and Soprano for lyrical singing and voice techniques of the Italian Bel Canto by The MAESTRO MARIO CANANA "The Italian Tenor Spinto" (music culture and voice lessons, in Italy) for lyrical VOICE, MELODRAMATIC opera and lyrical culture. The Maestro Canana explain, in this class, to the Soprano how important it's to execute voice and vocal singing exercises VOCALIZO for sopranos and tenors to reinforced voice and lyrical vocal studies. http://www.ilbelcanto.org/

The Maestro Canana and the "Associazione Il Bel Canto in Italy" offers lessons for beginners, Tenors, Baritono, Sopranos and Master Class and international Master Lyrical singing and Melodramatic culture and art conference LOOKING FOR PRIVATE LESSONS OR A CONFERENCE BY MAESTRO CANANA ? call in Italy: +39- 333- 6371 644 at

http://www.italianbusinessguide.com/

THE ITALIAN OPERA - IL BEL CANTO

The bel canto opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini, Donizetti, Pacini, Mercadante and many others. Literally "beautiful singing", bel canto opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control. The bel canto era style was rapidly popularized by Giuseppe Verdi, beginning with his biblical opera Nabucco. Verdi's operas resonated with the growing spirit of Italian nationalism in the post-Napoleonic era, and he quickly became an icon of the patriotic movement (although his own politics were perhaps not quite so radical). In the early 1850s, Verdi produced his three most popular operas: Rigoletto, Il trovatore and La traviata. But he continued to develop his style, composing perhaps the greatest French Grand opera, Don Carlos, and ending his career with two Shakespeare-inspired works, Otello and Falstaff, which reveal how far Italian opera had grown in sophistication since the early 19th century. After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's Cavalleria Rusticana and Ruggiero Leoncavallo's Pagliacci that came virtually to dominate the world's opera stages with such popular works as Giacomo Puccini's La Boheme, Tosca, and Madama Butterfly. Later Italian composers, such as Berio and Nono, have experimented with modernism

IL BEL CANTO LIRICO DI ITALIA L'Associazione "Il Bel Canto" programma le proprie attività concertistiche in Italia e nel mondo. Offriamo un ricco repertorio di Arie con i nostri tenori, soprani, baritoni e coro, opere liriche come Aida, Il Trovatore, Nabucco, Traviata, Ernani di Giuseppe Verdi, Turandot, La Bohème, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia e Mosè di Rossini, La Carmen di Bizet, ed altre opere liriche che definiscono l'arte e cultura lirica Melodrammatica in Italia e nel mondo sotto la direzione del MAESTRO CONCERTATORE MARIO CANANA

LEZIONI PRIVATE? contattati [email protected]

EL BEL CANTO LIRICO DE ITALIA La asociacion cultural "Il Bel Canto" programa sus actividades y conciertos en Italia y el mundo. Ofrece un rico repertorio de Arias con nuestros tenores, tenor, soprano, baritono e coro. Operas liricas como Aida, Il Trovatore, Nabucco, Traviata, Ernani de Giuseppe Verdi, Turandot, La Bohème, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia y Mosè de Rossini, La Carmen di Bizet y otras operas liricas que definen el arte y cultura lirica Melodramatica en Italia y el mundo bajo la direccion del Maestro de musica lirica y director de orquesta MARIO CANANA

Comments

9 years ago

Cipriana Cupse

non va per niente bene

12 years ago

Mohan King

@AtariMaxiToriyama i cant to agree with you. becouse i already borned loving opera, and i dont know how to sing with normal voice. So for me to sing like americans or even the popular italian i dont know how. But to sing like opera. its prety easy . I know how to speedup my vibrato , the picth , I want to sing like fred mercury and some rock sigers. But for me natural is the opera way. And i dont create my opera way. This technique came with me when i borned. i need 300 years to learn more

12 years ago

steveunlocked

How To Sing The High Notes - 3 Tips

12 years ago

AtariMaxiToriyama

@imya77 That's what opera is: Creating an artificial husky (chesty/deep) sound. If you think opera singer's voices just sound that way naturally, you are sadly mistaken.

13 years ago

kohmaru

@rubyedelman It sounds like that to me as well.

13 years ago

FreeSingingContest

i just started a free singing contest! prizes! enter!

13 years ago

ruby edelman

It is my conviction that this lady is a Mezzo rather than soprano. She does not support at all, all the air is coming out, so there is no professional sound whatsoever, sorry, that is my opinion. Anyone can hear the escape sound of the air......need correction and simple 3 note exercise before getting to such aria as Tosca's.......

13 years ago

MrSkylark1

Listen to EBE STIGNANI. This voice is placed too far back in the throat.

13 years ago

sleepwalkerbsk

yes i was working as a mezzo with my old theacher and she was saying to think deep and push my voice deep on my body but somethings begun to go wrong the i changed my singing theacher now i am working grande lyric soprano and she says to find the mask on my face to think higher and sing from there but i'm not found the place

14 years ago

maya4406

Imapara a sua alunna a cantare sul fiato. E lascia per dopo l'espressione.

14 years ago

Ann Isik

I wish there was more translation. This is probably a great lecture, more so than singing lesson.

14 years ago

imya77

I hope he can help her...she sounds like she's singing too far back....not enough resonance and she's trying to artificially create a husky sound

15 years ago

Andrew Harris

He's not saying it is the WRONG sound.. but it is wrong for the purpose. He is lowering his larynx and presenting a more covered sound in the second example, as a contrast to the brighter sound in the first. It is it help create the right sound for the piece.

15 years ago

Cesaare

That's the problem, because I find it more beautiful at 0:46 and at 0:53 it's more nasal and chordy-that's my opinion

15 years ago

patimomus

Soprano has a wonderful voice but her intonation is way unstable-support to blame-why Maestro says wonderful when she sings off pitch. another question is, Tosca is too early with such unstable support-I bet she'd have troubles singing even "Caro mio ben" correct me if I'm wrong:)

15 years ago

Cesaare

let me have this clear: at 0:46 is what and at 0:53 is what and I'd like you to listen to the sounds without his comments and tell me without prejudice which one do you like more:)

15 years ago

Cesaare

sorry it was 0:47 when he sounded great-but for some strange reasons denied and went nasal

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