Time Requiem - Grand Opus video free download


118,796
Duration: 07:41
Uploaded: 2008/04/06

neoclassical progressive metal

Comments

9 years ago

raul ungur

great songkeyboard is EPIC AMAZING

9 years ago

peter otazu conza

plagio nada que ver entonces yngwie malmsteen le plagio fraces a (J.S bach)

9 years ago

Robocop 13

This is insanely good! What's the original backing? Paganini?

9 years ago

Eclip sis

que final tan extraño.. O_O 

9 years ago

ak47dragunov

There must be more like this. No other neo-classical band comes close

10 years ago

pineapplepeanuts

Been a while since I heard this, fucking amazing. These guys got knocked for being a SyX ripoff but I think it stands on its own.

10 years ago

sebastian fender

plagio 100% 

10 years ago

Erik Browne

i fucking love this genre

10 years ago

Colon Cavitys

FUCK YEAH

10 years ago

Florian MANKOUR

YES YNGWIE IS ITS INFLUENCE TO KNOW I THINK HE SHOULD PLAY ON ONE OF THE MAESTRO ALBUM BUT THAT DOES NOT KNOW THEY DONE WELL. SWEDISH BOTH

10 years ago

whitebeard878

Richard Andersson FTW!

11 years ago

BrainiacFingers

Yes, and at 3:34 they play the opening of Mozart's Eine Kleine Nachtmusic but change the last two notes so that instead of a major 3rd ( E to G#) moving up to B, they diminish those two intervals, changing them into two consecutive minor 3rds thus giving Mozart's Nachtmusic a demonic twist.

11 years ago

John Sawicki

The keyboardist is probably one of my favorite keyboardists of all time.

11 years ago

Kanos Black

Exactly,, but I suppose yngwie is their influence musical

11 years ago

Estherluna Sole

mi piace da impazzire!

11 years ago

sebastian fender

yngwie malmsteen!! my sword =/

11 years ago

Estherluna Sole

Bellissima canzone!

11 years ago

Rafael Salguero Iturríos

HEEYY! check out my cover!!!!!! :D /watch?v=GdNxCFex5Cg

11 years ago

Jake Abakulov

You ever hear Mozart's 25th, followed by Malmsteen's Overture 1622?

11 years ago

Jake Abakulov

I think Malmsteen is a brilliant technical guitar player, but his composition leaves a bit to be desired because he does rework a lot of classical pieces, one of which is Mozart's 25th Symphony, which he used as the basis for Overture 1622. Shredding was never particularly popular in clasical music, I imagine because there were some fears that it took away from the melody, which isn't completely untrue.

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