Richard Berry and The Paroahs - Have Love, Will Travel video free download


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Duration: 02:57
Uploaded: 2013/10/16

If for no other reason than that he was the original writer and performer of "Louie Louie" (itself based on "El Loca Cha Cha" by Rene Touzet), Richard Berry holds a permanent place of honor in the history of rock & roll. Beyond that, though, Berry was an important, if secondary, figure of the early- and mid-'50s Los Angeles R&B scene. As a teenager with the Flairs and as a solo act, Berry recorded quite a few singles that demonstrated his versatility with ballads, novelty songs, and even Little Richard-styled numbers. His facility with deep-voiced comic material was a clear forerunner of the Coasters, and in fact he was the uncredited lead singer on Leiber & Stoller's "Riot in Cell Block #9," recorded by the Robins (later to mutate into the Coasters). He took another uncredited vocal as Ella James' deep-voiced sparring partner on "Roll With Me, Henry," one of the biggest R&B hits of the mid-'50s. Berry originally recorded "Louie Louie" in 1956; the record was a regional hit in several West Coast cities, but no more than that. Berry's recording career petered out in the late '50s, though he remained an active performer. In the early '60s, several Northwest bands seized upon "Louie Louie" as cover material, scoring sizable regional hits; finally, in 1963 the Kingsmen broke the song nationally, reaching number two. In the decades since then, "Louie Louie" became one of the most oft-covered rock standards of all time; there probably exists well over 1,000 versions. The song was investigated by the FBI and inspired parades and campaigns to adopt it as the official song of the state of Washington. The original version ironically remains extremely difficult to find, appearing only on obscure compilations (the Berry version on Rhino's Louie Louie anthology is a re-recording). For Berry there was a happy ending -- in the late '80s he regained the rights to his song that he had lost many years ago. ~ Richie Unterberger, Rovi

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Comments

7 years ago

clarkewi

Absolute classic.

7 years ago

Earl Wick

As a professional musician of 45 years whose 1st single when I was 16 was a garage band version of Louie Louie (how many of those were there!!!) then later heard the original and realised how mine was a travesty compared to the original, Richard Berry became my R&B touchstone and inspiration and still is. He's the greatest. For proof check out 'Brown Eyes' and so many more...I rest my case

7 years ago

fasx56

Thank You for the history on these two songs, Louie Louie was played a lot in the dances that were held during the 1960s in my area.

8 years ago

Ephraim Sherman

Dedicated to my BIG SISTERS R.I.P.

8 years ago

Lloyd Garmadon

Liverpool Victoria......?Anyone?......?

8 years ago

Sherry Rouse

this is the best version in my opinion :>)

9 years ago

Iroquois

Sonics didn't got anything WRONG, they made intentionally own version of the classic song and made it garage. It's pretty badass cover anyway, this is different. Its really good tho but pretty obvious doo woop-ish tune

9 years ago

MMMarvelous

What all the other acts who cover this song don't understand is that the Richard Berry version is so much better sonically because the chord pattern is way different & better than the others.  The Sonics covered it in 1965 & got the chords way way wrong, and unfortunately, that's the version everybody remembers & copies.  Berry's version is G-Am-Bb-Am, whereas all of the other versions out there are G-C-D-C, which is just a basic 1-4-5-4 progression & very similar to Louie Louie, though the latter uses an minor 5 instead of a major 5, which is what makes Louie Louie unique. The use of a minor 2 & minor 3 makes it sound more jazzier/cooler in my opinion.

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