Trampin' (2004)
Patti Smith's Ode to William Blake
Lyrics:
In my Blakean year
I was so disposed
Toward a mission yet unclear
Advancing pole by pole
Fortune breathed into my ear
Mouthed a simple ode
One road is paved in gold
One road is just a road
In my Blakean year
Such a woeful schism
The pain of our existence
Was not as I envisioned
Boots that trudged from track to track
Worn down to the sole
One road is paved in gold
One road is just a road
Boots that tread from track to track
Worn down to the sole
One road is paved in gold
One road is just a road
In my Blakean year
Temptation but a hiss
Just a shallow spear
Robed in cowardice
Brace yourself for bitter flack
For a life sublime
A labyrinth of riches
Never shall unwind
The threads that bind the pilgrim's sack
Are stitched into the Blakean back
So throw off your stupid cloak
Embrace all that you fear
For joy shall conquer all despair
In my Blakean year
Mercy has a human heart
Pity a human face
Love a human form of defy
Peace a human dress
To mercy, pity, peace and love
For praying their distress
But mercy shall embrace
Mercy shall embrace
Mercy, it is the mercy
It is the mercy
Mercy shall embrace
Mercy shall embrace
Mercy shall embrace
It's the mercy, mercy
Patricia Lee "Patti" Smith (born December 30, 1946) is an American singer-songwriter, poet and visual artist, who became a highly influential component of the New York City punk rock movement with her 1975 debut album Horses. Called the "Godmother of Punk", her work is a fusion of rock and poetry.
Although almost all the songs she records are collaborations, occasionally she writes a song herself. '' Reading a lot of William Blake as well as the wonderful Blake biography by Peter Ackroyd, i worked on this song for a while. William Blake has served as a good example in facing my own difficulties and feeling a certain satisfaction in doing so.''
William Blake (28 November 1757 -- 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. Reverent of the Bible but hostile to the Church of England -- indeed, to all forms of organised religion -- Blake was influenced by the ideals and ambitions of the French and American revolutions. His poetry consistently embodies an attitude of rebellion against the abuse of class power as documented in David Erdman's large study Blake: Prophet Against Empire: A Poet's Interpretation of the History of His Own Times. Blake was concerned about senseless wars and the blighting effects of the industrial revolution. Much of his poetry recounts in symbolic allegory the effects of the French and American revolutions. Erdman claims Blake was disillusioned with them, believing they had simply replaced monarchy with irresponsible mercantilism and notes Blake was deeply opposed to slavery, and believes some of his poems read primarily as championing "free love" have had their anti-slavery implications short-changed. A more recent (and very short) study, William Blake: Visionary Anarchist by Peter Marshall (1988), classified Blake and his contemporary William Godwin as forerunners of modern anarchism.
10 years ago