Nnenna Freelon - Round Midnight video free download


220,794
Duration: 03:17
Uploaded: 2007/08/12

Nnenna Freelon live on tv in December of 1996, singing Round Midnight. Part of an ABC special called "A Celebration of America's Music", which was a broadcast of a benefit concert for the Thelonious Monk Institute of Jazz. Nnenna is accompanied by:

Herbie Hancock - piano

Pat Metheny - guitar

Christian McBride - bass

T.S. Monk - drums

Comments

10 years ago

Demita Calvin

What a voice soultry perfect for midnight romance

10 years ago

村上強

Nnenna Freelon - Round Midnight

11 years ago

James West

WestSideOfJazzThe sultry voice of Nnenna Freelon is a perfect match for the haunting melody of Round Midnight.

11 years ago

村上強

Nnenna Freelon - Round Midnight

11 years ago

村上強

Nnenna Freelon - Round Midnight

11 years ago

村上強

Nnenna Freelon - Round Midnight

11 years ago

nancydrew5

"There are no "rules" of comping that you can either break, or not break." Check out that video of the great Billie Holiday surrounded by all those wonderful horn players from Lester Young, to Gerry Mulligan to many others, and they were NOT all in her way when she was singing fine and mellow. They played and got out of the way.

11 years ago

nancydrew5

"Well I guess you've never heard the composer of this piece playing with other musicians" Yup, I love Monk's composition, but what has that got to do with anything? This piece was a musical composition, now in this context, we have a soloist and musical accompanist who need to know how to 'get out the way' and not solo all over the 'soloist. Even if they are stars.That's basic 101 comping rules. Doesn't matter who wrote the piece, it's the context in which it is being played that matters.

11 years ago

nancydrew5

Give it a rest dude. There are 'rules' to comping but you like a lot of other guys think they don't apply to singers. But any soloist whether it is a horn player or a voice (the first instrument) has 'rule's for comping and you don't play all over someone else. A person doesn't have to have an 'album coming out' in order to know that. This is why certain well known singers had certain instrumentalist that they played with for years. They liked how they played with them.

11 years ago

alkh3myst

Well I guess you've never heard the composer of this piece playing with other musicians. There are no "rules" of comping that you can either break, or not break. It's a continuum, and you either like how somebody played, or you don't. Since you are so critical of PAT METHENY, living legend, when's your next album coming out?

11 years ago

lucky leo

You did no harm Sir Charles Thompson, You did no harm.

12 years ago

GetRhythm2011

I had the real pleasure of seeing/hearing her at the "Strings in the Mountains" in Steamboat Springs years ago. WOW. Indeed what a wonderful, personable woman and singer. If I recall, she had a sister in the group that night, also incredible, but Nnenna is in a league of her own. Takes me back to some olde days of Etta, Phoebe, Ella, Bessie, Keely, etc. Great stuff. Thanks for having this up for all of us to enjoy. :)

12 years ago

BroccoliBeefed

Both. She's gorgeous and so is her voice, so are her clothes and accessories.

12 years ago

BroccoliBeefed

I'd rather go see and hear this woman any day than what's their names?, oh Rihanna and Beyonce. Love me some jazz...Besides, this woman has class.

12 years ago

atlgausa scene

See "NNENNA FREELON" February 23 at the Ferst Center ferstcenter.org

12 years ago

Jennifer Linsky

I do pretty well, 'til after sundown... suppertime, I'm feeling sad... but it gets really bad 'round midnight. 'round midnight.#JennyLinskyPresents 

12 years ago

Forever Crazy

awesome is love loveeeeeeeeeeeee *-*

12 years ago

Gary B

beautiful and a gorgeous voice..or is it the other way around?

12 years ago

hartdad1

Awesome! Pure jazz, magnificent performance.

13 years ago

nancydrew5

@vexedboy "Pat is Pat That's what he does. Love'em." Pat is great, but on 'this performance' he was too much out front. See it was not about him, but about the singer and his role was to accompany her' not be the star. Joe Pass would never do something like this and he was the maestro and I've heard him accompany legendary singers from Carmen McCrae to Ella to Sarah. He knew that no matter how much he brought to the table, the first rule when he is accompanying a singer, is to do just that.

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