Lush - Nothing Natural video free download

james woody

Why is this mix in mono?????

Marco Bruno

fatcatbuzz, I love your selections; keep on keepin' on!

Muzikalizimo NN

es correcto masturbarme mientras escucho a lush?

mousiedung

Best. Outro. Ever.

Guy1891

Click on repeat button again! 

Benito Riquel

pas mal mais copier sur cocteau twins,mais 4AD ces trés bon cette maison disque

Yomama Binshoppin

3:44 <3

Mercedes Saenz

their use of melody was always astounding to me. very interesting chord usage and progressions. love Lush so much.

Troy Reed

This and ladykillers are my two favorite Lush songs

Christopher Patriarca

This song is a state of mind. Either you get it or you don't. I love love love Lush and I don't care who knows.

Gabriel Frausto

Cocteau Twins

Vermillion 303

Absolutely perfect. Got this on repeat now.

Landshark Jones

Great Just Great!! That's All!!!

Alan Gamino

Lush - Nothing Natural LyricsArtist: LushAlbum: SpookyGenre: 90's Alternative RockYear: 1992Before I met you I was blindPills and liquid filled my mindBeneath your outline I was newOverflowing with your tuneAnd don't you know you're beautifulNext month, I missed you like a childCouldn't see past you though I triedAnd don't you know you're beautifulAnd don't you know you're beautifulNow I think of every hourWhen you still retained your powerAnd the precious nights we'd shareWhen we'd breathe in common airThe feeling now you're goneThis wretched life goes onThe knife inside of meIt turns just like a keyThe sunlight always comes too soonMy body asks me what to doI was so small and vulnerableAnd you were only beautifulThe seasons shining in your hairAnd it was more than I could bearBut I can see you in my smileAnd you are only beautiful

ashome13

Miki's voice is so ethereal and angelic on this song...

zeelectronico

Lush is a state of mind, we miss you

terry platt

Anybody who loves this track like a hurricane is advised to check out Melissa auf der Maur's first solo album. There are many parallels with the soundscape here.Meanwhile, here is an extract from a much longer review I posted of Spooky on Amazon - you may be interested to check it out, it's posted under my own name:"...45 minutes later, I've hammered the bicycle through heavy rush-hour traffic and a rainstorm of biblical proportions, and I'm back at the flat, dripping wet, and in serious need of a coffee and some dry clothes. Put some of the new music on... first out of the bag is... Spooky. I'm standing there in the middle of the room with the rain dripping off my clothes and a cup of black coffee, and the first notes of Stray (9/10) come scrawling out of the speakers. Not too sure about this... but wait: an overdriven, cranked-up slab of jangly guitars is overlaid by some columnar female vocal harmonies to sweeten the broiling, evil-sounding cauldron, and then there is an explosion of angry, jagged guitars. It's over all too soon, but only to segué into the pulsating, menacing screed of effects-laden mediaeval incantation of Nothing Natural (10/10). This is a blistering, incandescent wall of noise, with effects aplenty, but only adequate to the track's air of barely concealed fury and menace. Many of the vocal lines here take on a raga-like quality as Miki's voice slithers around the ends of each line. I love the way where, at 2 points, 3:44 and 4:58, the backing almost completely drops out, leaving the song stranded on an empty planet, and builds again, leaving Emma's 3-note guitar phrases to carry the piece back to full-on power-blast (the 3-note phrases actually start a whole lot further back than you might realise, at 4:04, but only become prominent some way later, when you realise she's been doing this for a while... the stunning, multi-layered, contrapuntal, wordless vocal harmonies build up and orbit the gravitational well of the bass with such skill that details like this only become apparent with repeated listening). As if this isn't enough of a tasty mélange, the whole of the last minute and a quarter is then suffused with stereo-panned white noise swooshes and phased guitar, which ends up after 5 and a half minutes in a maelstrom of arpeggiated triplets and swirling effects. Pure genius, and along with For Love and the closing track, are the most utterly, blissfully beautiful and commandingly authoritative tracks in my entire collection. This is at once definitive shoegaze, and yet entirely of itself.All bets are off after this: what comes next could be almost anything - and yet it's surprising for the foregoing blitz of sound to be supplanted by the sweetest pop song you could ever imagine coming from this genre of music. Tiny Smiles (10/10) has one of the most deceptively tricksy melodies, which must have been really difficult to sing, but sounds effortless (try whistling it, and you'll see what I mean!) It completes the best opening trio of contiguous songs on any album EVER, and although there are no keyboards on this album, the brief instrumental breaks on this track would be totally worthy of infilling by one of Tony Banks' decorative herbaceous (key)borders so prevalent on and signatory to any Genesis album; it is tribute to Miki and Emma's talents that it survives winningly without such intervention. If only for these 3 opening tracks, you really need to buy this album."

Catfish Deity

replay, replay, replay, replay.

Demetrius Ford

It's so cool to hear that from someone else because I really feel this album has done the same to me.

srschirm

I always thought the same thing! Like they're companion songs or something.

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