Luciano Pavarotti - Ah mes amis - Live at the Met 1972 video free download


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Duration: 06:03
Uploaded: 2008/09/27

Luciano Pavarotti's first ever performance of La fille du regiment at the Met. The audience goes wild, quite rightly too. This performance took place on the 17th of February 1972.

From act I of Donizetti's La fille du regiment

Live 1972 - The Metropolitan opera orchestra conducted by Richard Bonynge

Here are some parts of a review about this performance:

''The show was constantly being stopped Thursday night at the Metropolitan Opera, where a new production of Donizetti's "La Fille du Régiment" was staged. Joan Sutherland stopped the show at her entrance and several times thereafter. Luciano Pavarotti stopped the show with his first aria and, later, with the "Quel desin" aria, the one with the nine - high C's.''

^ The reviewer named the aria wrongly of course

''In the last two years Luciano Pavarotti has come up fast, and today he is the reigning tenor in the lyric side of the Italian repertory. God has kissed his vocal cords, as he has said. This is a voice on the Gigli order, though used with more taste and musicianship. He sings the B's and C's as though he is not afraid of them, and the voice has an absolutely unbroken scale.''

Comments

8 years ago

per lei

Ah mes amis, what a voice!! 

9 years ago

ignasi terns

ÜNICO en el mundo!!!

9 years ago

PBXVIILY

The Majority of Singers etc. Adored & admired this great great singer! Incredible! Especially in this Role, saw him live in this in the 90s Magnificent. The audience went crazy!! 

9 years ago

Gyöngyösi Zoltán

Nem tudom mikor lesz megegy ilyen :-(

9 years ago

john mark remigio

I like juan diego florez's performnce too...now that pavarotti's gone, JDF might have been the king of the High C's.

9 years ago

Antonio Sanz Ledesma

Cuanto más oigo a todos estos artistazos (Pavarotti, Kraus, Flórez, Brownlee, Swanson, Camarena, tan de moda...) más me convenzo de que esto del canto es como los besos: hoy "te pone" uno en los labios; mañana, en los ojos; pasado, detrás de las orejas; al otro, en el cuello... y todo son besos de amor que te llevan al placer, así que ¡VIVAN LOS BESOS!... digo... ¡Vivan LOS GRANDES TENORES!P.d.- Recomiendo vivamente la versión de J.D. Flórez en Génova el 21 de marzo de 2009 (Con bis incluido) que está aquí al lado. Todo un rosca tornillo a media luz. 

9 years ago

Henri Callewaert

Not for Luciano...there is no feeling for this aria in his voice..

9 years ago

Tesz- Vesz

Az 1972-es Metropolitan-beli előadás után lett világhírű, ahol Donizetti: Az ezred lánya című operájában, Tonio áriájában ("Ah! Mes amis") egymás után kilenc magas „C"-t énekelt ki. Emiatt a nézők 17 alkalommal tapsolták vissza a színpadra. A világhír tévés szereplések és rangos koncertmeghívások sorával járt, és Pavarotti ekkor már egyike volt a legismertebb operaénekeseknek. Egymás után debütálhatott a világ leghíresebb operaházaiban

9 years ago

Colette Warren

Merci pour tous ces magnifiques ténors!

9 years ago

Colette Warren

Merci pour La Fille du Régiment!!! Sensationnel!

9 years ago

goldenthroat86

The lady in the first picture is Mirella Freni, one of the greatest Sopranos of the 20th Century. 

9 years ago

Manoli Stavrinakis

Who is the woman in the first picture? It appears to be Beverly Sills?

9 years ago

Babach Lovari

I cant imagine how could anyone give this a thumbs down... no one to date has ever sang this aria or the whole opera better then he did ... his high c's are pure perfection and hearing this really shows us the real pavarotti and not the older pavarotti which people pay more attention to ...he was at his best here and i wish people could bring the real pavarotti in the lime light more and push his later part of his career to the side

9 years ago

Yolanda Sanchez

una preciosidad!!! la mas bella voz

9 years ago

John Jensen

the biggest an best tenor,voice in the univers.ever

9 years ago

Kammersaenger

Oh how I miss this great tenor and the talent that he was so abundantly blessed with. What a joy he bought to all of the opera houses and audiences where he appeared. Just to hear this clip brings back many great memories. Thanks for posting. 

9 years ago

Peter Bierwirth

Muchissimo mejor que Florez? Well, I don't think so. Pavarotti sounds in this (bad) recording a bit "pressed", whereas Florez' rendition is more "open" and clearer. Still have to compare Alfredo Kraus, who was one of the most refined "tecchnicians" of tenors at his time. Anyhow, it always depends what are considered the best roles for any individual voice. I still think that Carlo Bergonzi was at his best in the "early" Verdi Operas (Lombardi, Attila, Giovanni d'Arco etc.)

9 years ago

manuel marti borque

muchisimo mejor juan diego florez!!!

9 years ago

Lora0993

AMAZING. 

10 years ago

Robert O'Leary

We can only guess how he hit all those C's . That was his USA Gold at the NY Met. People were absolutely captivated by his voice. Not bad for someone that can't read music.

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