Guitar tabs for this song can be downloaded here:
Studio version: http://lplive.net/astat/Guitar_tabs/Meteora/
Live version: http://lplive.net/astat/Guitar_tabs/Live/Meteora_Live/
Tuning: Db Ab Db Gb Bb Eb
Signal Chain/Post-Production:
01. Ibanez RG3EX1QM (Bridge pickup, volume/tone knobs all the way up)
02. Boss TU-2 Chromatic Tuner
03. Customized Fender Champion 30 (Distorted channel, Bass - 10, Middle - 7, Treble - 8.5, Gain - 6)
04. Direct out from back of amp
05. Tascam US-122L recording interface
06. HP Envy 15 laptop (Running Windows 7)
07. Audacity 2.0.5 (raw audio tracking)
08. AmpliTube 3 cabinet section: "4x12 Closed Modern 2" cabinet model (amp section is bypassed)
09. AmpliTube 3 rack section: Tube Compressor (Drive: 0.5dB, Attack: 25.6ms, Release: 197.7ms, Ratio: 1.95, Output Level: -0.7dB)
10. Adobe Audition 1.5 (editing/mixing)
Filmed with a Sony DSC-W690, edited in Windows Movie Maker.
Effects Notes:
Regular distorted tone (with the AmpliTube tube compressor on) at all times.
This is still one of my favorite Linkin Park songs, guitar-wise. The chorus just goes all over the place and uses some really interesting chord choices. There's also an incredibly weird Ab6-ish chord right before the first two choruses - it's basically an octave at the 9th and 11th frets on the 5th and 3rd strings, with the addition of a 7th fret note on the 6th string. This is still, to date, the ONLY time Brad has ever used this type of chord voicing in a Linkin Park song, so that alone makes this song a noteworthy one.
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