John Mayall - Peter Green "The Stumble" LIVE 1967 video free download


413,286
Duration: 07:11
Uploaded: 2010/07/16

John Mayall used to record his concerts on a simple reel-to-reel recorder. Surprisingly little material with Peter Green on guitar has emerged, but here's a lengthy version of Freddie King's "The Stumble", incidentally with future Fleetwood Mac rhythm section comprising John McVie and Mick Fleetwood. So this must have been early 1967 as Fleetwood was only in the Bluesbreakers for a couple of weeks in the spring of that year.

Comments

8 years ago

Tim Day

Not a very good recording....

8 years ago

Barnekkid

A spectacular moment in music.

8 years ago

progressive rock

Ottimi questi due per un buon proseguimento. .

8 years ago

Justine O'Toole

'The Stumble' is everything you need to get you goin'

9 years ago

M Godwin

Sensational!

9 years ago

Melodic 59

I never noticed this until now but Peter switch's between 3 different tones at 1:47 playing the same lick, i'm not sure if he's going from treble middle to bridge or if he's just using the tone pots but it sounds amazing!

9 years ago

smkelly1970

Eric Crapton is dog. THIS is the REAL shit!

9 years ago

LA90004

Nobody else comes close.

9 years ago

Tor Strasburg

I just wrote a comment under the studio version challenging anyone to find a better version of “The Stumble”. Now I hear this (for the first time). The only thing I can say now is that I lost the challenge ‘cause Peter bested himself, lol. 

9 years ago

simon simmons

Jaysus- this is fucking amazing. Where the fuck did you find this? Are there any more? One thing that is absolutely terrifying about this is that when you compare it to the studio version you know that the studio version, excepting the head of course, is TOTALLY FUCKING IMPROVISED. This version is fucking completely over the top. The guy's tone is unfuckingbelievable. One thing that blows me away is that this guy was a Clapton disciple (and for good reason) but this guy surpasses Clapton especially with the Les Paul/Marshall combo ( and that is saying a lot)- don't take my word for it- ask B.B. FUCKING KING who his favorite British blues guitar player is.. Green's tone and his vibrato along with his phrasing are SO FUCKING TOP SHELF. Thank you so much for putting this up.

9 years ago

Mike Bender

Whoever said Peter Green wrote this is wrong. This is a Freddie King song.

9 years ago

kurtphyre4

just SICK!!!

9 years ago

arrowpt28

With all the versions I have heard over the years, this still remains my favorite even with the horrendous audio. Whenever I hear this version, I am humbled to hear a young kid play a guitar like this.

10 years ago

Keith Evans

Great ! saw them at the Ram Jam club in early '67 and a blues enthusiast ever since .

10 years ago

Paul Johnston

If there ever was a real British blues cat that everyone can respect,. including B. B. and all the dudes he played with on Blues Jam in Chicago, it's Greeny. And on this track, he just keeps going and going and going....

10 years ago

4998826p

no,"50 nucio"; Crapton "didn't. exist without" Freddie King (he copped - or tried to, anyways, not only his instrumental style, but his vocal style, too; I know the motive was more homage than rip-off, but Crapton was ALWAYS the watered-down, white-bread version..

10 years ago

stratoreverb

omg greeny is going off on this version

10 years ago

ernest rivera

Hey Think Freddie King. OK?

10 years ago

50nuccio

Bullshit. PG's my favorite blues guitarist of all time, but the LP version of this song has a few licks copped STRAIGHT from EC's Hideaway. I know both note for note, and although Greeny surpassed Clapton in touch, feel, and overall style, it's arguable that Greeny doesn't exist without Clapton. Clapton was the ORIGINAL blues on roids master, and upped the stakes for ALL Brit bluesmen in the mid/late 60's. Regardless, EC was right there at PG's comeback concert. They love each other.

10 years ago

david moon

EEEEEEE HA!

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