Handel - Serse, HWV 40 "Ombra mai fu" Marilyn Horne video free download


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Duration: 03:13
Uploaded: 2008/06/16

"Ombra mai fu"

from Serse/Xerxes, HWV40

by George Frideric Handel

libretto by Niccolò Minato

http://www.haendel.it/composizioni/libretti/pdf/serse.pdf

Score (without the recitative):

http://www.cpdl.org/wiki/images/e/e3/Han-omb.pdf

Premiere: London Haymarket Theatre on April 15, 1738

Premiere Cast:

(Conductor: - )

Serse (soprano castrato): Gaetano Majorano (Caffarelli)

Arsamene (alto): Maria Antonia Marchesini (La Lucchesina)

Amastre (contralto): Antonia Maria Merighi

Romilda (soprano): Elisabeth Duparc (La Francesina)

Atalanta (soprano): Margherita Chimenti (La Droghierina)

Ariodate (bass): Antonio Montagnana

Elviro (bass): Antonio Lottini

In this recording:

Marilyn Horne (Mezzo soprano)

I Solisti Veneti

Conductor: Claudio Scimone

From Wikipedia, the free encyclopedia)

Serse (Xerxes, HWV40) is an opera seria by George Frideric Handel. The libretto is adapted by an unknown hand from that by Silvio Stampiglia for an earlier opera of the same name by Giovanni Bononcini. Stampiglia's libretto was itself based on one by Nicolò Minato that was set by Francesco Cavalli in 1654.

Serse is considered Handel's most Mozartian opera, and one of his finest. Passion is mixed with farce and satire; the folly of human nature is exposed but never ridiculed. The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia, though there is little in either the libretto or music that is relevant to that setting. Xerxes is a pants role; that is, it is a male role played by a mezzo-soprano.The opening aria, "Ombra mai fu", sung by Xerxes to a tree (Platanus orientalis), is set to one of Handel's best-known melodies, and is often played in an orchestral arrangement, known as Handel's "largo" (despite being marked "larghetto" in the score).

The opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces. It has often been arranged for other instruments, including solo organ, solo piano, violin and piano, and groups of strings, often with the full title "Largo from Xerxes." Handel adapted the aria from the setting by Bononcini who, in turn, adapted it from the setting by Francesco Cavalli. All three composers had produced settings of the same opera libretto by Niccolò Minato.

Original text:

Ombra mai fu

di vegetabile,

cara ed amabile,

soave più.

Translation:

Never was there made

a shade of a plant

dear and loving,

or more gentle.

Comments

9 years ago

Diego Cunha

Bravo!

9 years ago

Isabelle M

Handel - Serse, HWV 40 "Ombra mai fu" Marilyn Horne

9 years ago

Ivan Vacca

non conforme al partito

10 years ago

Reuben Auscher

Among all the well-known mezzo soprano voices that challenged Handel's "Ombra mai fu" I found Lorraine Hunt Lieberson catching, with a beautiful voice, mature interpretation, no vibratos but in a most serene way, the aria's divine spirit. Far behind but still of remarkable artistry are Lucia Popp and Joyce DiDonato. Matter-of-factish we're all subjective listeners. Depends first on which interpretation moves you most and then you try to spot the particular finesses behind it.

10 years ago

Maurice Rivers

Perfection from one of the 20th century's greatest mezzo-sopranos. Brava!

10 years ago

Brian McCaig

The Original Key is C. I would have liked to hear her do the Recitative. What a beautiful voice.....

10 years ago

Christina M. J. Holm

I believe it is Eb Major. But I am not sure. The notes on the video are in the key F major. But Marilyn Horne sings it 1 whole note under that.

10 years ago

Sávio Alves

What Key is this?

10 years ago

Franck Shinkaretzky

Ombra mai fu , une petite pépite d'opéra baroque

11 years ago

antonia olivier

che voce!!!!!!!

11 years ago

ROCIO VALAREZO IGLESIAS

Hermosa, melodia

11 years ago

Julija NamikoYori

very good ;)

11 years ago

MrJlalmazan

SOOOOOOOOOO BEAUTIFUL!

12 years ago

Kathleen Hazeldine

@kasha1932 I wish YOU TUBE would have given me time to proof read this horrible mess! I am sorry about it. And would have liked for it to be cancelled so I could re-write it. Oh well...I think you must get the jist of it anyway. BRAVA Maylin Horne!

12 years ago

Kathleen Hazeldine

Oh "Jackie"....it saddens me to know you are struggling with cancer....My prayers are with you each day that I hope to hear from you. Last letter was written to California...#5. Your voice is absolutley supreme! And m if you nevaer see what i've written, all you havae to do is dia up YOU TUBE, and you will see what a great admirere I am and havae been for a long time. BRAVA, Marylin...May the Lord keep you and bless you...whereever you happen to be.BRAVA!!!!

12 years ago

Yasuo Tamura

I love this.......................I've heard that you may listen to its sound through the ears.

12 years ago

Craig Taylor

I preferred Janet Baker's rendition, but it was pulled for God knows what reason. Such a loss!

12 years ago

reviewsvoiceontube

In every aspect to consider with this Haendel aria-to me- the most complete rendition of Ombra mai fu-even though many other greats that I`ve heard.

13 years ago

John B

@AmatureComposer - If a certain aria is more-comfortable, in a lower key, for a great voice ... then why not? Some of the notes, here, are not perfect ... but it's nice to have yet-another fine version of this very-spiritual aria. Kathleen Ferrier had a TRULY-great version, and there are others, with great male voices.

13 years ago

Gustavo Adolfo Rosales Román

@AmatureComposer Xerxes is one of the most important Händelian operas and there are a low,medium and a high versions since Tenors,baritons,Contraltos and countertenors and sopranos sing this aria. The sheet music in this video is for a higher version.I'm a countertenor and sung this aria half tone lower than this score and half tone higher than Marilyn Horne's version.

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