End Title - Jerry Goldsmith from Alien (Live) video free download

FLASHAHOLICS

I prefer the Howard Hanson upbeat ending as Ripley flies away safe with the cat. This ending choice is way too dark and would kill off the audience's reward.

Víctor Salgado

Excelente la reputa madre

Nortonowl66 Owl

The Howard Hanson sinfonia No2 The Romantic is what all we Alien fans have come to accept as the closing orchestral piece and it fits well.Would love to see and hear Goldsmiths original score and end scenes put together.

The Mckanek

jaw dropping....CANT STOP WATCHING IT.....

mauro sousa

Goldsmith Masterpiece - Navarro, perfect!

vonkroenen

The lone trumpet is my favorite part

anphet_LOGIC SOM

Dear Jerry, maybe you are in the stars now, hear my words please, we believe on your euphoria virtuosism, forever and ever, rest in peace

Christopher Thorkon

Just so amazing.

Celloviji rk

this is the one of the master piece of j goldsmith

demio22

liked it in covenant so much!

Kirsten I. Russell

Now, because Ridley Scott rejected so much of Jerry Goldsmith's score, I love to listen to the rejected score, and I've seen the movie only once, long ago. Scott was a newbie with a chip bigger than his head on his shoulder when he made that movie, and he ended up acting like Alfred Hitchcock rejecting Bernard Herrmann's score for TORN CURTAIN. Doesn't sit well with movie music lovers, these cavalier directors who think they know more about scoring movies than the professional composers who score them.

Hvi Kingspig

Why i can't stop watching this?

Mauricio Cano

Goosebumps on my skin

Gianni Micucci

I want this to be played at my funeral

arturo fanciulli

fantastic

William Phillips

awesome from first still best movie of them all

The1976spirit

The trumpet was sponsored by Alexander Nikolayevich Scriabin

A. Xak

A truly haunting and beautiful piece of music. Similar to many from the days of classical but infused with a contemporary sense of beginning, exploration and humility in the face of the unknown. Horror movie music has seldom been so expressive or, dare I say it, romantic. It has a near calming reassurance on an audience that while they've spent the last 2 hours in state of fright, there is hope on the horizon. Yet, in the last dramatic chords of it's all but inevitable conclusion, we are warned never to forget that whatever the future holds, joy and peril are but the proper balance in the eternal ying/yang that is the universe we all live in.The music used in the actual film over the closing credits is a real piece of classical music and although it has this same eerily soothing effect, once anyone who bothered to listen to the original soundtrack album heard what Jerry Goldsmith had in mind, it is difficult to believe that this isn't what we actually heard as it a culmination of the many themes and delivered to us in this intoxicating, rhapsodic rush. I tested people who said they'd never go to a horror movie and subject themselves to something frightening by playing this without telling them what it was from and challenged them to guess. No one ever thought the sound of "Alien" could ever be something like this.While not much of a fan of soundtrack music played live, I was impressed with the seriousness Diego Navarro gave to it and enjoyed how passionate he became while conducting. I thought it was a taped session and had no idea it was live somewhere until the applause at the end which both startled me and won me over.