Dr. Dre: Deeez Nuuuts - (feat. Warren G, Snoop Dogg, Dat Nigga Daz & Nate Dogg)
Song Sample: "Chestnuts" by Rudy Ray Moore
Album: "The Chronic"
Recorded: June, 1992 - Death Row Studios (Los Angeles, California) & Bernie Grundman Mastering (Hollywood, California)
Date of Release: 12/15/1992
Record Label: Death Row / Interscope
Producer: Dr. Dre, Suge Knight-(Executive)
Sub-genre: Gangsta/Hardcore/G-Funk - (West Coast)
**Production History:
-The production on The Chronic was seen as innovative and ground-breaking, and received universal acclaim from critics. Allmusic commented on Dr. Dre's efforts, "Here, Dre established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths" and that "For the next four years, it was virtually impossible to hear mainstream hip-hop that wasn't affected in some way by Dre and his patented G-funk." Unlike other hip hop acts (such as The Bomb Squad) that sampled heavily, Dr. Dre only utilized one or few samples per song. In Rolling Stone's The Immortals - The Greatest Artists of All Time, where Dr. Dre was listed at number 54, Kanye West wrote on the album's production quality: "The Chronic is still the hip-hop equivalent to Stevie Wonder's Songs in the Key of Life. It's the benchmark you measure your album against if you're serious."
-Jon Pareles of the The New York Times described the production, writing "The bottom register is swampy synthesizer bass lines that openly emulate Parliament-Funkadelic; the upper end is often a lone keyboard line, whistling or blipping insouciantly. In between are wide-open spaces that hold just a rhythm guitar, sparse keyboard chords." Pareles observed that the songs "were smoother and simpler than East Coast rap, and [Dr. Dre and Snoop Dogg] decisively expanded the hip-hop audience into the suburbs. Until this point, hip hop had been primarily party music (for example, Beastie Boys) or angry and politically charged (for example, Public Enemy or X-Clan), and had consisted almost entirely of samples and breakbeats. Dr. Dre ushered in a new musical style and lyrics for hip hop. The beats were slower and mellower, borrowing from late 1970s and early 1980s funk music. By mixing these early influences with original live instrumentation, he created a distinctive genre known as G-funk.
**Lyrics:
-The album's lyrics caused some controversy, as the subject matter included homophobia and violent representations. It was noted that the album was a "frightening amalgam of inner-city street games that includes misogynist sexual politics and violent revenge scenarios". Dr. Dre's dissing of former band-mate, Eazy-E, resulted in vicious lyrics, which were mainly aimed at offending his enemy with homosexual implications, although it was noted to have "a spirited cleverness in the phrasing and rhymes; in other words, the song is offensive, but it's creatively offensive".
-Rapper Snoop Dogg, who had a significant role on the album, was praised for his lyrics and flow, and it was mentioned that "Coupled with his inventive rhymes, Snoop's distinctive style made him a superstar before he'd even released a recording of his own" and that his involvement was as important to the album's success as its production. Touré of the The New York Times remarks that "While Snoop delivers rhymes delicately, the content is anything but. Growing up poor, often surrounded by violence, and having served six months in the Wayside County jail outside of Los Angeles (for cocaine possession) gave Snoop Dogg experiences upon which he draws." Snoop Dogg later commented on the "reality" of his lyrics:
"My raps are incidents where either I saw it happen to one of my close homies or I know about it from just being in the ghetto. I can't rap about something I don't know. You'll never hear me rapping about no bachelor's degree. It's only what I know and that's that street life. It's all everyday life, reality."
—Snoop Dogg
Enjoy my show and this timeless classic off Dre's best solo album!!
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