David Bowie - 'Tis A Pity She Was A Whore. video free download

Ashe Narayan

I love this very TIn Machine / Black Tie White Noise era.

Obiwan Kanoobi

I think this would have a more authentic lo fi audio experience if you purchased the 10" vinyl version which is styled like the old 78rpm records and listened to it on a genuine 1960's record player.

Bibi Free Aerle

machtstrijd 

shaxan

... and with this musical document Bowie had perfectly pinned down the time.

RepublicansAreNazis

I think Sue is one of his best. I've been wanting Bowie to cover more Jazz and Acid Jazz. I'm getting tired of the industrial rock. Since I'm getting older. I wish Rush can also mellow Down there music since there fans from the 70's and 80's are getting older. I will be 50 in a year. I grew up since I was 7 years old listening to David Bowie. In the mid to early 70's.

vrexicus surplus

the best I've heard from him since Hearts Filthy Lesson. The chaos, the disharmony, the mess. And somewhere in there, that raw splendour. Every bit as good as whatever he wrote in the seventies. Hats off. 

Mike Hunt

This sounds really epic , different and sad...and adds to my argument that lyrics are the least important thing in music. I cant hear a word Bowie is singing. Yet it still sounds so sad....

David Mcintosh

Tis a pity this is a load of shit

Jonah VX

Very promising song, let's hope this is his direction for a next next day. For me it's very actual, it's about the global NOW. 

Chuck Dade

Man, she punched me like a dudeHold your mad hands, I cried‘Tis a pity she was a whore‘Tis my curse, I supposeThat was patrolThat was patrolThis is the warBlack struck the kiss, she kept my cockSmote the mistress, drifting on‘Tis a pity she was a whoreShe stole my purse, with rattling speedThat was patrolThis is the war‘Tis a pity she was a whore‘Tis a pity she was a whoreMan, she punched me like a dudeHold your mad hands, I cried‘Tis a pity she’s was a whore‘Tis my face, I supposeThat was patrolThat was patrol‘Tis a pity she was a whore

Eric Christen

It is rather like the discordant rumblings of a swarm of regressive emeralds stranded in the belly of a translucent griffin - fiercely disgorging themselves via poetic refraction through the pulsating scales of the beast.

ivankaramasov

Both this song and Sue are so fucking brilliant. It is almost surreal that Bowie can still come up with such masterpieces. The Next Day was unbelievably good on par with his best works, but these two songs are even better. Sue is extremely sophisticated and this song is extremely "primitive", but both are such bold artistic statements. And as with his very best work he clearly doesn't give a damn whether anybody gets it or not. 

afterlife4u2

this is just sad, his music gets worse every new release, the magic well n truly left the building a long time ago

eamon courtney

tis a pity is amerca !!!

Killswitch Frank

Wow this is bad.

Josh Struble

At first, the vocals made me want to immediately Van-Gogh both of my ears off. But like Van-Gogh, this is an artistic endeavor of the most ambitious of self-expressions. The second time I played this was much better, and while the synth caused my cat to repeatedly scratch and gouge my face, and I now require 8 stitches around my upper lip.. I know it's because she doesn't understand that this is not merely music. Rather, it's a peep-hole into the soul of Post-Contemporary Bowie. After listening to it 3 more times since, I can safely say that ladies and gentlemen, what we have here..is the most important song of Two-Thousand Fourteen. 

Mark Cox

And what do you think people were saying about "always crashing in the same car" and "memory of a free festival" and even "man who sold the world"? No listen again folks - this is gold from the god. Not immediately accessible but pure genius. 

Mark Cox

Andy Marr misses the point - it is Bowie, nuff said.

renher robert

best Bowie sice agesmiraculus!

Worldwide Planet

I think this is a pretty powerful piece of music and I find it much more interesting than almost everything Bowie's put out in the latter part of his career. It rings more authentic somehow. This is also a weird piece of music, which - depending on your tastes - is weird in a good way or weird in just a plain weird way. The video is an astounding and disturbing match to the music. I think Bowie SHOULD be making music this challenging. Why not just do what he wants to do at this point? Both this song and Sue are fairly brilliant.

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