Brahms - O Tod, wie bitter bist Du? Fischer-Dieskau video free download


108,454
Duration: 04:26
Uploaded: 2007/09/23

by Johannes Brahms (1833-1897) ,

from "Vier ernste Gesänge" (Four serious songs),op. 121 no. 3

O Tod, wie bitter bist du?

published 1896

'See what violent words these are: 'for that which befalls man, befalls beasts,' and then in the fourth song, 'though I give my body to be burned'!" This was Johannes Brahms' comment, on the occasion of his first performance of his "Four Serious Songs" ("Vier Ernsten Gesänge") (Op. 121), for his Rhineland friends, at the Hager Hof estate in Bad Honnuf, in May 1896, as quoted by Gustav Ophüls in his Memories of Johannes Brahms. It was Pentacost, only a few days after the death of Clara Schumann, who had died on the twentieth of May.

"... It was more an intensified recitation of Biblical text in tones, which he gave us in his hoarse voice; and what we heard was entirely different than an art song. Since then, no singer, not even Meschaert himself, has been able to awaken the same mighty impression in me, which the improvised rendition of these songs by their creator made on me at that time. It was actually no different than if the prophet himself had spoken to us." Ophüls mentioned Brahms' shaking while performing the third song: "The third song, 'O death, how bitter thou art,' plainly gripped him so strongly during its delivery, that during the quiet close, 'O death, acceptable is thy sentence,' great tears rolled down his cheeks, and he virtually breathed these last words of the text, with a voice nearly choked with tears. I shall just never forget the moving impression of this song."

The "Four Serious Songs" were the last songs composed by Brahms, when he was 63 years old. He died less than a year later, on April 3, 1897. This song-cycle for bass voice and piano, which uses texts from the Old Testament, and the famous words of St. Paul to the Corinthians, has the character of a musical last will and testament by Brahms: "Though I speak with the tongues of men and of angels and have not charity [love, agape], I am become as a sounding brass and a tinkling cymbal," culminating in the exclamation, "But now abide faith, hope, and charity, these three, but the greatest of these is charity," (Opus 122, his very last compositions, are eleven organ chorale preludes, which Brahms completed in 1896.)

Visit below link for the rest of this article as an introduction to Brahms' "Vier ernste Gesänge".

http://www.schillerinstitute.org/fid_02-06/032_brahms.html

Original text:

O Tod, wie bitter bist du,

Wenn an dich gedenket ein Mensch,

Der gute Tage und genug hat

Und ohne Sorge lebet;

Und dem es wohl geht in allen Dingen

Und noch wohl essen mag!

O Tod, wie bitter bist du.

O Tod, wie wohl tust du dem Dürftigen,

Der da schwach und alt ist,

Der in allen Sorgen steckt,

Und nichts Bessers zu hoffen,

Noch zu erwarten hat!

O Tod, wie wohl tust du!

English Translation:

O death, how bitter is the remembrance of thee

to a man that is at peace in his possessions,

unto the man that hath nothing to distract him,

and hath prosperity in all things,

and that still hath strength

to receive meat!

O death, how biter is the remembrance of thee.

O death, how aceptable is thy sentence unto a man

that is needy and that faileth in strength,

that is in extreme old age, and is distracted in all things,

and that looks for no better lot,

nor waiteth on better days!

O death, how acceptable is thy sentence.

Comments

9 years ago

bravaLiz

LOVE...LOVE.... This! LOVE DFD... r.i.p. Dietrich. <3 what a FIND!Tried so hard to find him singing Brahms Lieder....especially the Vier ernste Gesänge!however, accompanist? don't tell me...is it actually Barenboim??? or Jörg? Sounds as if this was post Gerald Moore.... no time to read as I breeze through here... sorry.THIS is way too wonderful. I lost my recording of him doing this years ago. THANK. YOU to Sotto Voce! 

11 years ago

civileso

Ah, I see, you are talking about the main comment. Apparently the user either deleted his/her own comment or their account was closed by either YouTube or themselves. But it was not me who deleted it. I guess I should delete all these replies now since we don't know what the original comment was saying. Thanks for drawing my attention to it.

11 years ago

Buddhaxe

When I click on show comment it gives me a pop-up "Comment has been deleted" so I guess it is deleted.

11 years ago

civileso

It is not deleted. You can see the comments which has too many negative votes by clicking on "Show" next to it.

11 years ago

Buddhaxe

What's the use of seeing this reply to an original comment if the original comment does not exist anymore. And why is it gone? Too many negative votes?

11 years ago

sayname1

Let's Sample !

11 years ago

OrangeSodaKing

Rest in peace.

12 years ago

mizzothify mizzothifi

Uttery, utterly, heartbreakingly beautiful!, both composition and performance.

12 years ago

Kelsey G

@Archantivos Brahms did not write this because of a religious inclination. This was written in the two months leading up to the death of the woman he had loved for 40 or so years, Clara Schumann. He chose biblical text because it suited the mood of the piece, not the other way around.

12 years ago

P1B1U1H1

This sounds like Brahms. Very interesting.

12 years ago

Donald Hartmann

incredible breath control....amazing.

12 years ago

joe carbia

Absolutely sublime music given a sublime performance. Thanks for having the key in the visual score be the same as that in which DFD is singing.

12 years ago

iHondeux

This is magnificent, always moving <3 "How bitter death can seem, yet so fitting.." Beautiful!

12 years ago

Alfred Mertens

Liebe Barbara Da hast Du aber eine exquisite Sammlung an wunderschönen Videos zusammengestellt, die mein Interesse geweckt haben. Zum Beispiel Dietrich Fischer-Dieskau Ehemann der Julia Varady. Nun in deutsch, weil dazu die englische Sprache nicht reichen würde. Herzlichst Alfred

13 years ago

CzarDodon

@meltzerboy civileso posted this performance with DFD, I posted Kipnis. I like Dieskau as a lieder singer here and in Wolf in particular, at times especially when his voice was worn I feel he overdoes the interpretation in Schubert and doesn't let the music sing, I would say exactly the same about Schwartzkopf. In this Brahms I find Kipnis Ferrier and Hotter to be exceptional, but more recently Moll did a wonderful job, and live I once heard a splendid Fassbaender ... but thank Brahms

13 years ago

meltzerboy

@CzarDodon I generally love Fischer-Dieskau's singing, even in certain opera performances. His lieder are incomparable, except perhaps for Gerard Souzay for men and Elisabeth Schwarzkopf for women. But somehow for this particular lied, I prefer Kipnis' more emotional reading. Thanks for posting DFD, however.

14 years ago

Natacha Placebonat

Do you have this score? I've got one but for Baryton.

14 years ago

Emily Pulham

Thanks for posting this BEAUTIFUL recording!

14 years ago

die zauber

i sing this tomorrow

14 years ago

6134447

Re: Archantivos: The facts are: Vivaldi was a priest; Monterverdi was a priest; Bach was a servant of Reformation; Zotán Kodály served God in the hard times of communism and so one. Dont forget, the concept of whole modern legal system of Western Democracy is based on spirit of Pentatecus.

Related Videos