who pumped the wind in my doughnut - washboard sam скачать видео бесплатно

Jeffrey Jones

I'm happy AND filthy!

Hayman1995

Hello to Jason Issacs

Tedeboy999

I heard this record as a kid and even took it to grade school to play, much to the chagrin of a teacher who noted its double meanings and had me take it home. The words remind me of the old tune, I think it's "My Kitchen Man", that had references to loins and buns and the rest. I thought when the record disappeared I'd never hear "Who Pumped" again, but was glad to find it and learn who performed it.

Theeagerbeavers69

Check out our washboard player!

Trey Bigone

I met a guy in Ballarat, Australia who plays piano. I hope this helps.

Alex K

Yes, it was Black Bob on piano (and of course Big Bill Broonzy on guitar.)

woodbell67

@woodbell67 I picture entering his house to see a wide variety of donuts displayed in loose geometric patterns on the coffee table, and in alternating colours stacked in the bookcases. On opening the medicine cabinet several assorted day-olds might tumble out. This song is a wonder.

woodbell67

I got donuts all in my house, You're eatin' my donuts they'll melt in your mouth. WPTWIMD Sure don't resemble me.

Adriva01

Memphis Slim play the piano.

mojochessclassics

who let the proffesor out?

Mazzeppa *

In Smith's version, this idea of a crime happens underneath the "union" tree. In this one it's underneath the "yam" tree. Now yams are either yellow or white, like an egg and its yoke. So the egg symbol has gone from the bottom of the tree to the top. And the wind is in "my" doughnut, not "mamas". There are also more 'personalized' references to automobiles in Smith's version. And Sam's name and song goes more with the connotations around, 'taking in others' washing'.

Mazzeppa *

the singer, of course, is not to blame for implanting the idea. In this version, the criticism concerns the public identity of someone who is accused, if we carry the meaning of "mama" from the old song into this one. The singer is presented with a photographic likeness, or a descriptive image of themselves (through some kind of agency, one first thinks of police) and then denies the identity. The last difference between the two songs which sheds light on the (w)hole, is the kind of tree.

Mazzeppa *

Maybe comparing this song to Spark Plug Smith's "Mama's Doughnut" would give us a window into different points of departure for blues criticism. This song, if it is true that it is about a kid that is not his posits kid=father, because neither resemble the singer. In Smith's song, however, the line is, "Who cracked the egg in mama's doughnut" and then "don't put the blame on me", as if a previous listener who wanted to interpret a complex sexual idea suffered physical detriment, while

bluesgurugod

@ahisee89 I've always interpreted this song the same way. Almost all these songs are about sex. "sure don't resemble me": but the kid is not my son. I always thought the song was "who pumped the jam in my doughnut" - which makes more sense than "wind". Either way it's a great song and I'm happy to finally find it on youtube. I believe Washboard Sam was Big bill Broonzy's half brother and they played together for a while (although I don't hear guitar in this track)..

drewbanjowebster

This is just a fantastic song! I can't get it out of my head...

gorblimey61

Can you explain the double entendre?

das728

thanks again Mozeilla for this great vintage blues number. its quite a gem!

Great Pianists

I should add that this tune is based upon a standard chord progression used in nearly as many tunes as the standard blues progression was. This sequence is found in such enduring classics as "Come On 'Round to My House Mama" (Tain't Nobody Here But Me); and "Hittin' the Bottle Stomp", among many others.

Great Pianists

"Black Bob" was Bob Hudson, who was a friend of pianist/percussionist W.E. "Buddy" Burton, and they made at least one record together as the "Black Diamond Twins". Bob Hudson also made one solo piano recording for American Record Corp. called "Thirty-Eight and Plus" in March, 1932 (matrix # 11626-3), but this was unissued and I have no idea if any copies exist. He was a great piano player!

fatchancejugband

From B&GR: Vocal acc. by own washboard; Big Bill Broonzy, guitar; Black Bob, piano Since this was on the Vocalion / ARC family of labels, the artist credit should be "Ham Gravy", not "Washboard Sam" which is the name used on the Bluebird /Victor family of labels. His real name was Robert Brown.

Washboard Sam

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