Vivaldi - Gloria RV589 - XII.Cum Sancto Spiritu (score) скачать видео бесплатно

Peter Salcius

What We Do In The Shadows sent me for take out.

Ricardo Sánchez Vicent

Como dijo el anterior: soberbio. Es una obra muy simpática y muy "mona" pa ser una misa. Que amo el vivaldi.

Bernd Wang

It's not composed by vivaldi but borrowed(or plagiarized) from Ruggieri

Carlos Medina

This is gonna be great to sing at the LA Master Chorale High School Festival this year :)

Lphs Choir

Anyone know which edition of the score this is?

hsenry htoo

Glorious Gloria 588

MrJacky6817

superbe !!!

socialite121

is no one here cuz of Two Girls and a Guy? :p

C Gollum

To prove my point. I played a Handel, Bach, Corelli and Vivaldi violin concertos each to 3 of my friends. They know very little of baroque music. They all agreed that the Vivaldi concerto was the most enjoyable to listen to after the 3 movements. They also agreed that the Bach was very 'heavy' in terms of instruments and musicality. It's all a preference.

C Gollum

Vivaldi could have done a lot of counterpoint in his music. It's shown in many of his compositions (Op.3 no 11 for example) that he can actually be quite good at it. But let's be honest here, it wasn't his preferred style of composing and that's fine. Bach loved counterpoint and everyone will always be compared to him as a result. Vivaldi on the other hand, his music was really meant to be lively and catchy and as a amateur musician, I do find his music more appealing to the ear than the other Baroque composers...I enjoy his music the most. 

Reino C

C QUOI CETTE PUB DE MERDE EN PLAIN MILIEU??????

Marco Capponi

Bellissimo brano...

myempathy

All these experts... When they realise he probably wrote this in the time you'd finish a cup of coffee, they'll change their minds.

Tim Coatney

It becomes sublime, starting there and bleeding through to 1:44. I agree.

S Hahn

immer wieder wundervoll

La Tempesta

If, at some time, you wish to converse with me via messages on youtube here, I can give you a more detailed description of these formulas with examples and how they are used. It would take too long and too many posts to explain them here. This method of constructing songs is very enlightening because all composers back then used the formulatic method.

La Tempesta

2) In my mind, a true concerto is a showcase for the soloist primarily. A Concerto Grosso, which is what Bach's concerto for two violins in D-minor brings to my mind, distributes parts more evenly. I like Vivaldi's parts for Violin and he is and should be considered one of the best violinists of the time. His contrapuntal abilities are inferior to Bach's and Handel's, I never argued otherwise. However, Vivaldi is not a third rate composer, he excels in some areas and doesn't in others like Bach.

La Tempesta

1) I like Vivaldi even though he is predictable, because everything that IS predictable about him I enjoy. His love of the circle of fifths is shared by me. I am also impressed with his mastery of writing for most of the instruments of his time. I also have come to understand that his version of the concerto differs from that of Bach because B's is similar to the concerto grosso in that all parts have equal importance. With Vivaldi, the soloist takes the lion's share of the important parts.

La Tempesta

It seems you really enjoy German music which is fine, to each his own. I prefer the Italians because above all I prefer simplicity, crispness and melody. It is not that Germans cannot create such music, it is just that counterpoint gives me a headache after too long. I would, though, rank Handel as my favorite German composer followed by Telemann, Pisendel, and Stamitz. Bach has never interested me, apart from a few songs of his (the ones with less complicated counterpoint).

shnimmuc

To clear the air, this is my list of the top Baroque composers not in order. 1st tier, Handel, Bach, Monteverdi. Second tier Muffat, Buxtehude, Telemann, Purcell and both Scarlattis. 3rd Tier, Vivaldi, Albinoni, Corelli etc. I "dig" counterpoint so that is why Vivaldi is not on my highest list. I do listen to the accompaniment and the nuance of the inner voices, so a showy solo part does nothing for me. The composer who I think is represented by the smallest part of his output is Handel.