Una furtiva lagrima - Enrico Caruso 11th of April 1902 скачать видео бесплатно


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Длительность: 03:25
Загружено: 2011/05/24

If blocked in your country, go here: http://www.enricocaruso.dk/musicdetails.php?mid=18

Part of Caruso's first ever recording session at the Grand Hotel in Milan. With piano accompaniment by Salvatore Cottone.

Caruso created the role of Nemorino the first time in February 1901 at La Scala in Milan. The conductor was the famous Toscanini, but the notoriously critical and reserved audience of La Scala did not react at all ... until Caruso started singing - and he basically turned the performance from failure to success. The audience went wild and Caruso was compelled to repeat "Una furtiva lagrima" three times.

When Toscanini came back stage to go before the curtain with the artists, he embraced Caruso, then turned to the manager of La Scala, Giulio Gatti-Casazza, and said: "Per dio! Se questo Napoletano continua a cantare così, farà parlare di sè il mondo intero." (By Heaven! If this Neapolitan continues to sing like this, he will make the whole world talk about him.)

Комментарии

12 years назад

Tom Frøkjær

@nicco47 Hi Nicola, I'm very pleased to be able to share this wonderful young Caruso recording with you and thus indirectly evoke pleasurable memories. Best, Tom

12 years назад

LJ Norelli

This is just incredible. That is all there is to say about it.

12 years назад

Irina Novikova

Lord God of bel canto !

12 years назад

nicco47

Grazie Tom,I so enjoy receiving your stunning musical gifts...they give me goosebumps,amid memories of my father who introduced me to Opera,my heart swells...and sometimes qualche lacrima. Nicola

12 years назад

Tom Frøkjær

@GiovanniMariaTommaso Beautifully put into words what I myself experience. The words of the poet. Thanks!

12 years назад

Robert Becker

Thanks for this post!!!! As always a deep appreciation for this magical human being!!!

12 years назад

Giovanni Maria Tommaso

When I hear Enrico sing I feel as if I rise above myself, yet in myself, as the body emotes. I respond mentally and the body physically and the two join together undergoing deep felt emotions and become one spiritually.

12 years назад

Tom Frøkjær

@goodboybuddy1 Just a little addition: "He sang the words for themselves for their significance and feeling and meaning them. Hence the pathos of his voice, and his superb enunciation, which made the audience understand and feel every word he was singing." From the book "Caruso's Method of Voice Production" by Dr. P. Mario Marafioti.

12 years назад

Tom Frøkjær

@goodboybuddy1 Hi James, indeed a little peak in musical history! This was one of the 10 arias recorded at the hotel in Milan within 2 hours .... - no retakes. Astonishing that we can hear him sing 109 years later. He hadn't refined his technique at this time - like in the 1904 recording, but his empathy and his ability to communicate the essence of the words and concept of what he was singing was, I think, something he was born with and not something that can be learned.

12 years назад

goodboybuddy1

Tom!, That was the coolest thing ever. He'd just created the role, and with Toscanini! This was a little peak into musical history. There is even a tiny crack in the voice, which must be reminiscent of his early years, when he was known for this fault. He is so masterful that it feels to me as if he were speaking the words. Wonderful. Thank you so much. James

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