Stan Getz - On Green Dolphin Street (1989) скачать видео бесплатно

Harry Styles II

One of my all-time favorite sax players, and this version of "On Green Dolphin Street," one of my all-time favorite songs. My goodness! Truly phenomenal. Stan Getz not only raised the bar. He WAS/IS the bar. Oh, the things he could do with a saxophone! Kenny Baron ain't bad either :-). A perfect pairing.

tuxguys

A bit of a gem, yes?One inventive chorus after another, in front of an audience, with the easy familiarity of a conversation with an old friend......and all in under five minutes.Addendum:Barron, Riley, and Mori appear to be sharing a brain.

Marsha Rupe

I remember how excited I got when I first heard this song -- and the rest of the "Serenity" CD -- while learning about jazz in the 1990s from the well-selected jazz CD collection at the Amarillo (Texas) Public Library. I never get tired of that CD.

kane kure

@Red Sullivan Mori-san told  in a interview. When Stan first called him, he thought some naughty kids played a prank,  so he said hashy " who are you? I hang up "and Stan replied "  o,oh....well... I 'm a ....that in bossa nova song ipanema.....don't you know me? " .Of course Mori-san Knew him because Stan was a one of his heroes.But This was Stan and Mori-san's first conversation.

Marah Cannon

What a treat to hear this again. I found this concert in July 1989, as I wandered the streets of Perugia. There he was, Stan Getz, one of my childhood heroes. It was just like this,an outdoor concert, soft, balmy air laced with the smell of fresh italian food, and very happy, mellow people lovin' the experience. We all sat there, from many different countries all loving the same thing, the unique, delicious music of dear Stan Getz. To whomever put this on YouTube, THANK YOU FOR THE MEMORY.

yves darbellay

there is no "best ever" jazz is never finished

guitarsurfer2010

sheesh ! Why don't you put the whole song ?

Robert St. John

I listen to jazz while feeling melancholy -- allows me to sift through my thoughts and emotions.

colourfulwithaU

Jazz is not dead, it's just no longer the most popular style. Get out there and see some of what young jazz musicians are doing these days...a lot of it is amazing. Also, it's close-minded to limit yourself to one genre of music, never mind one era...there's lots of great music outside of jazz.

Matt Saint

17 years old when I first heard this. Music is dead now. This was the real stuff. Will listen to jazz till the day that I die. The Voice will never leave my iPod. :)

Paul Ostroff

Awesome. TY weird collector for posting.

awesomewelles1990

I'm hearing a lot of coltrane in this solo.

John B

@terrryc - Of course, it's NOT about race, at all. I only cited the Getz/Quinichette examples for the sake of argument, nothing more. ... Bix and Louis Armstrong understood and appreciated each other's talents, long ago, regardless of black or white. As for Whitney Balliett, he was one of BEST jazz reviewers of all.

Terry Corcoran

I've listened to Lester all my life, as well as Getz. I didn't realize that it was about RACE. I thought that it was about SOUND. Who cares about some jerk whose Food Stamps didn't arrive on time. You racist pigs have all but destroyed this music with your attitudes. Are you one of those Abba Dabbas who show up at jazz concerts wearing that stupid pillbox hat over a dashiki? Whitney Balliet can blow 20 choruses of Cherokee on the end of my Dick. Music itself has no race.

John B

@terrryc - Listen to Lester Young. Whitney Balliett/New Yorker once had a pithy column about Getz, titled "His Master's Voice". Getz, Quinichette and other white, tenor saxophonists of their day were STRONGly-influenced by Lester/Prez.

Terry Corcoran

Arguably the best Tenor sound of the 20th Century....

lanesblitz

fantastic getz.

Arborwaychet

Interesting that biographical info claims Stan and Chet detested one another ... yet in their playing ... cool lines, primacy to a beautiful sound (which both had on his instrument) and impeccable choice of notes rather than ... avalanche of notes ... preference for lyrical beauty over buiding sequences to the upper register ... they had so much in common re their approach

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