Utah's Iceburn fused the languages of progressive-rock, jazz, metal and harcore on Firon (1992) and on the monumental Hephaestus (1993). The latter's brainy jams opened a number of stylistic avenues that the band would take a decade to fully explore. Poetry Of Fire (1995) introduced elements of classical music and atonal avantgarde, not to mention Indian ragas, while veering towards the loose structures of free-jazz, a metamorphosis that continued on Iceburn Collective's Meditavolutions (1996), featuring the suite Sphinx, one of their most terrible and accomplished works, and was completed with the three lengthy group improvisations of Polar Bear Suite (1997).
12 years назад
12 years назад
12 years назад
12 years назад