Happy Feet - duet for bass saxophone & ukulele скачать видео бесплатно


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Длительность: 03:27
Загружено: 2008/08/04

Bass saxophone and ukulele duet : Happy Feet, composed back in 1930 by Ager & Yellen.

Hein Overbeek - ukulele

Bert Brandsma - bass saxophone

Recorded at Hein's Place, July 24th, 2008. Assen, Netherlands.

This was the last time we made a video using the Martin bass saxophone, since it is sold.

Hein Overbeek & Bert Brandsma did a lot of gigs in their lives, and this was not one of them. They played in many legendary bands together, like : Het Fluitekruidt, Dutch Palladium Orchestra, Pax Jazzband, Fifty-Six, both were in the original line-up of the Dixieland Crackerjacks Marching Band, in 1994.

All that may be true, but this was the very first time they actually played together with this instrumental combination. Before this, Hein used to play banjo and Bert did a lot of work on either alto saxophone or Clarinet.

Jack Selig Yellen (Jacek Jeleń) (July 6, 1892 - April 17, 1991) was an American lyricist and screenwriter.

Born in Poland, Yellen emigrated with his family to the United States when he was five years old. He grew up in Buffalo, New York and began writing songs in high school. He graduated with honors from the University of Michigan in 1913 and after graduating became a reporter for the Buffalo Courier, continuing to write songs on the side.

Yellen's first collaborator on a song was George L. Cobb, with whom he wrote a number of Dixie songs including "Alabama Jubilee," "Are You From Dixie?," and "All Aboard for Dixieland." He is best remembered for his collaboration with composer Milton Ager. He and Ager entered the music publishing business as part owners of the Ager-Yellen-Bernstein Music Company. Yellen also worked with many other composers such as Sammy Fain and Harold Arlen.

Yellen's collaboration with vaudeville star, Sophie Tucker, for whom he was retained to write special material, produced one of Tucker's most well known songs, "My Yiddishe Momme," a song in English with some Yiddish text. Yellen wrote the lyrics which were set to music by Lew Pollack.[1]

Yellen wrote the lyrics to more than 200 popular songs of the early 20th century. Two of his most recognized songs, still popular in the 21st century, are "Happy Days Are Here Again" and "Ain't She Sweet."

Yellen's screenwriting credits included George White's Scandals, Pigskin Parade, Little Miss Broadway, and Submarine Patrol.

Yellen was on the board of ASCAP from 1951 to 1969. He was inducted into the Songwriters Hall of Fame in 1972 and the Buffalo Music Hall of Fame in 1996.

He died in Concord, New York, aged 98.

Selected Songs

Alabama Jubilee (song) - 1915

Down By The O-Hi-O - 1921

There's a Garden in Hawaii with music by George B. McConnell - 1917

Glad Rag Doll - 1929

Louisville Lou - 1923

Big Bad Bill (is Sweet William Now) - 1924

Mama Goes Where Papa Goes - 1923

Hula Lou - 1924

Happy Feet - 1930

Hard Hearted Hannah (The Vamp Of Savannah) - 1924

I Wonder What's Become of Sally - 1924

Cheatin' on Me - 1925

In Your Green Hat - 1925

My Yiddishe Momme - 1925 with music by Lew Pollack and a huge success for Sophie Tucker.

Crazy Words, Crazy Tune - 1926

Ain't She Sweet - 1927

Happy Days Are Here Again - 1930

Are You Havin' Any Fun? - 1939

Комментарии

9 years назад

Richard Holmes

Ukulele + bass woodwind + 1930s tune = you had me at hello

11 years назад

Dan Conner

This guys killin' it! Love it!

12 years назад

Erwin Rommel

Thanks, when I make it to collage and join their band, I'll take your suggestions in consideration

12 years назад

ABrandsma

Depends on what sound you like. Personally I love the sound of vintage Conns. Best years are between 1934 and 1940. Very good allround horns are usually Selmers. The King Super (with the silver neck) have a fantastic sound for Rock 'n Roll. Buffet Crampon usually is more a classical horn. This is a very rough comment.

12 years назад

Erwin Rommel

Cool. I'm not a professional but right now I have a bundy and was wondering what a good brand I could get after that?

12 years назад

ABrandsma

Yes, I have almost all saxes from sopranino till bass, including C soprano, F mezzo soprano and C melody. Alas no contrabass yet. Actually I have a position at the moment as clarinet soloist doubling tenor sax. Thanks! Bert

12 years назад

Erwin Rommel

Sounds awesome Bert! Do you also play tenor sax by chance?

12 years назад

Jose Ramirez

HOLY CRAP WHATRE THE CHORDS!!!

12 years назад

nacrociochi

Fantastic duet!!!

13 years назад

ABrandsma

@InBy9OutBy5 With a Gold plated Conn with fantastic engravings. Must be one of the most beautiful bass saxes in the world. To nice to play on , in fact. But I use it for publicity shots.

13 years назад

InBy9OutBy5

Oh, you sold the Martin ? What did you replace it wth ?

13 years назад

doghard

Slap tonguing was a quite common technique of the period... check out Wiedoeft or the Brown Brothers. Any effect can be overdone, but for the most it fits with the style.

13 years назад

PeterSyz

I've played the bass sax and I understand how hard it is to play soft...this is an amazing performance by both musicians great job!!!

13 years назад

KNIGHTMAREMANIAC

@SirKareth hey man, give it time, if you keep playing it, you will be surprised by how good you get. it took me 12 years until i started to notice i actually sounded awsome

14 years назад

Drunken Beard

Great job guys :) Little tongueing trouble but the performance was good, and I think I'm seeing a Roland Cube amp there ^^

14 years назад

that1940sguy

Pure Awesomeness.

14 years назад

HyperAndHappy

I made my dog dance with me while I listed to this. I love eet! :D

14 years назад

MrSmoothSax

This is great.. this stuff is fun to listen to !! thanks for uploading so we can enjoy it :)

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