Folk Implosion - Natural One скачать видео бесплатно

Stereo: http://www.youtube.com/watch?v=DiD2MxSaSG4&fmt=18

Lyrics

I'm the one natural one, make it easy

we can take it inside

where I can love how I like if I want it

whatever keeps me high

yeah, we can take it

good and loose on an endless spree

good because we made it

and when momma's not around

there's no telling what we'll do when we're free

I'm the one natural one, make it easy

we can take it inside

I can have it cause I act like I love it

it's a matter of pride

yeah, we can take it

good excuse for an endless spree

good because we made it

and if the world is falling down,

it may as well crash with me

when I'm numb natural one

(...)

it's the one natural one

(there's no telling what we'll do when we're free)

when I'm numb natural one

(there's no telling what we'll do when we're free)

it's the one natural one

(and you may as well crash with me)

when I'm numb natural one

(there's no telling what we'll do when we're free)

it's the one natural one

(there's no telling what we'll do when we're free)

when I'm numb natural one

(there's no telling what we'll do when we're free)

it's the one natural one

(and you may as well crash with me)

The band's status was relatively obscure prior to the Larry Clark film Kids, and its soundtrack, most of which contained original compositions by Barlow and Davis. The song "Natural One" from this soundtrack was a hit single, peaking at #26 on the Billboard Hot 100, #4 on the Billboard Modern Rock Charts and #20 on the Mainstream Rock Charts.

Kids is a 1995 American drama film written by Harmony Korine and directed by Larry Clark. The film features Chloë Sevigny, Leo Fitzpatrick, Justin Pierce and Rosario Dawson, most of them in their debut performances. The film is centered on a day in the life of a group of sexually active teenagers in New York City and their unrestrained behavior towards sex and drugs during the era of HIV in the mid-1990s.

Kids created considerable controversy upon its release in 1995, and caused much public debate over its artistic merit, even receiving an NC-17 rating from the MPAA. It was later released without a rating.