ELMORE JAMES - Dust My Broom скачать видео бесплатно


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Длительность: 02:57
Загружено: 2009/07/27

Elmore James - Dust My Broom.

Due to his early death, just before the 1960s "blues boom", less is known about James than about other contemporaries such as Muddy Waters, BB King, or Howlin Wolf. There are very few known photos of James performing, and few descriptions of his performances, or of what he was like as a person. This lack of information is exacerbated by the silence of many people who had known him in the Chicago music scene. Although Elmore could be reportedly 'difficult' (reportedly drinking on the job, not paying out cash, abandoning musicians, double booking etc.) their 'conspiracy of silence' on this remarkable musician, writer and singer does them no credit. "Until he fell foul of the Chicago union", James and his band the Broomdusters were as popular in the Chicago clubs as Muddy Waters, Howlin' Wolf and BB King.

James was born Elmore Brooks in the old Richland community in Holmes County, Mississippi. He was the illegitimate son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and so Elmore took James as his surname. His parents adopted an orphaned boy, Robert Holston, at some point.

Elmore began making music at age 12 using a simple one-string instrument ('diddley bow' or 'jitterbug') strung up on a shack wall. As a teen he was playing at local dances under the names "Cleanhead" and "Joe Willie James." His first marriage was to Minnie Mae in or around 1942, whom he apparently never divorced. He subsequently married twice, to Georgianna Crump in 1947 and to a woman called Janice in or around 1954. (Another reported marriage of Elmore to a Josephine Harris has been found to be a mistaken record; a different Elmore James.)

Other well-known musicians of that time with whom he played included the "second" Sonny Boy Williamson and Robert Johnson. Although Johnson died in 1938, James (like many other musicians) was strongly influenced by him, and also by Kokomo Arnold and Tampa Red. James recorded several of Tampa Red's songs, and even inherited from his band two of his famous "Broomdusters", 'Little' Johnny Jones (piano) and Odie Payne (drums). There is some controversy as to whether it was James himself or Robert Johnson who wrote James's trademark song, "Dust My Broom". James was still under 20 when Johnson had recorded his version of the song in 1936.

An important side to Elmore's character (and one which may have hastened his demise) was his lifelong taste for moonshine whiskey, to which he was introduced at an early age. Alcohol killed his bandmates and friends Willie Love and Johnny Jones at an early age. His regular rhythm guitarist Homesick James maintained his longevity by not taking part in the heavy drinking sessions after — and often during — gigs, a refusal that was unpopular with the rest of the band. Elmore is also reported to have been an extremely fast driver. He loved hunting with guns and dogs down in Mississippi, and would go on hunting trips for protracted periods.

During World War II James joined the United States Navy, was promoted to coxswain and took part in the invasion of Guam against the Japanese. Upon his discharge, Elmore returned to central Mississippi and eventually settled in Canton with his adopted brother Robert Holston. It was at this time that he learned he had a serious heart condition. Working in Robert's electrical shop he devised his unique electric sound, using parts from the shop and an unusual placement of two D'Armond pick ups.

He began recording with Trumpet Records in nearby Jackson in January 1951, first as sideman to the second Sonny Boy Williamson and also to their mutual friend Wille Love, then debuting as a session leader in August with "Dust My Broom". It was a surprise R&B hit in 1952 and turned James into a star. He then broke his contract with Trumpet Records to sign up with the Bihari Brothers through Ike Turner, who played guitar and piano on a couple of James' early Bihari recordings. James' "I Believe" was another hit a year later. During the 1950s he recorded for the Bihari Brothers' Flair Records, Meteor Records and Modern Records labels, as well as for Chess Records and Mel London's Chief Records for whom "It Hurts Me Too" was a hit. His backing musicians were known as the Broomdusters. In 1959 he began recording what are perhaps his best sides for Bobby Robinson's Fire Records label. These include "The Sky Is Crying" (credited to Elmo James and His Broomdusters), "My Bleeding Heart", "Stranger Blues", "Look On Yonder Wall", "Done Somebody Wrong", and "Shake Your Moneymaker".

Комментарии

9 years назад

友金牧人

台風が近づく中、出掛ければならぬ模様。。。なんとなく、しんどい時は、10代から馴染んだ(どんなティーンエイジだ 笑)シカゴブルースが聴きたくなるのです。ELMORE JAMES - Dust My Broom

9 years назад

George

THE WOLF!!!

10 years назад

Steven Tyler

buon giorno

10 years назад

giuliano vineis

buon giorno

10 years назад

Larz Gustafsson

The MAN!

10 years назад

Larz Gustafsson

Absolutely marvellous.

11 years назад

Michel Marchange

yes,4 de WORLD '-)yes 4 me,and,yes 4 U ;-i)

11 years назад

stealyourface73

You could not have read the entire conversation. Your comment is completely out of context. Go troll somewhere else kid.

11 years назад

legrandmaitre

At the end of the day Chuck is incredibly important in the story of popular music, and Sonny Landreth simply isn’t. Nor sadly is Duane Allman. Now do you understand? Better still, ask Ry Cooder, because he’d sure understand what I’m saying. One of his favourite guitar players is Curtis Mayfield. I’m so sorry that Curtis wasn’t flashy and fast - he couldn’t “outdo” anybody, so I expect his playing means nothing to you. Right? It isn’t about how “great” you are.

11 years назад

legrandmaitre

Your musical education appears to be the simplified racist version - courtesy of Rolling Stone or whatever. If you don't understand my comparisons that I posted before then I feel sorry for you. Let's try you with another, and see if you understand this time: Chuck Berry. No doubt we can both think of hundreds of guitarists who are "greater" than Chuck or have "outdone" him, but it WOULDN'T BE THE BLOODY POINT WOULD IT??

11 years назад

legrandmaitre

Elmore's contribution was that he successfully amplified slide guitar playing - to create a wonderfully intense and searing sound. This was new in the late 1940s - but this sound was borne out of necessity, not because he wanted to sound flash. He needed to be HEARD.

11 years назад

legrandmaitre

And before you lecture me about who was the first slide guitarist - I did not say he was the first. I’ve been writing about the blues since the mid 1970s, so please don’t treat me like a fool - I’m trying to teach you something that is missing in your musical education. Like most of the bluesmen, Elmore was building on what had gone before, further developing the tradition he'd grown up with.

11 years назад

legrandmaitre

Outdone?? C'mon mate, please wise up - read and absorb. It isn't about who is the "greatest". All you've done is prove what I've been trying to say. Elmore was a wonderful guitarist anyway but it isn't about how "great" you are - being "great" is just an ego trip for "tag along" show-off white players.

11 years назад

Madasagoat

Still like Robert Johnson's version better. The slide guitar sounds good. And the stomping rhythm is steady and enjoyable. But still.

11 years назад

stealyourface73

Like I said in my 1st comment... He was an innovator, & incredibly talented. But he was not the best. & just so you know, Elmore James was not the 1st slide guitar player. So your comment about "inventing it" is just ridiculous. Sonny Landreth may not play with as much soul as Elmore James. But what about Duane Allman? or Ry Cooder? Or even Mississippi Fred McDowell? & don't get me wrong, I'm a huge fan of Elmore James. But many players have outdone him over the years in the slide category.

11 years назад

legrandmaitre

No offence stealyourface, but guys like you really have such a limited understanding of music. Guitar playing can't be reduced to egotistical and masturbatory flashy playing - that's fine for reading about in glossy guitar magazines, but in terms of the history of popular music it counts for absolutely nothing. Le Grand Maitre Franco et le Tout Puissant OK Jazz

11 years назад

legrandmaitre

"Sonny Landreth can play Elmore James in his sleep". Well I seriously doubt it would be half as raw and exciting as Elmore's playing was - and more importantly he bloody well couldn't play it AT ALL if Elmore hadn't done it first all those years ago.

11 years назад

legrandmaitre

Let me see... in your book: Eric Claption would be "better" than Robert Johnsom Dr John would be "better" than Professor Longhair Charlie Miusselwhite would be "better" than Little Walter Some white show-off trumpet player can play "better" than Louis Armstrong Bloody Diana Karall can sing "better" than Nina Simone.

11 years назад

legrandmaitre

You silly bugger. Can't you American white boys get it into your thick skulls that it ISN'T about technical skill??? Sonny Landreth is an extremely accomplished player - but he didn't bloody invent it, he didn't live the life, and his music doesn't begin to have half the soul that Elmore's music has. Have you any idea what it really means that Elmore was cutting such intensely wonderful electric sides OVER SIXTY YEARS AGO?

11 years назад

stealyourface73

No, they are better because they are better. Elmore James could never play like Sonny Landreth. But Sonny Landreth can play Elmore James in his sleep.

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