Duke Ellington - Mood Indigo скачать видео бесплатно

Agnes Jazz Fan

*Duke Ellington - Mood Indigo*

Suyog Wankhede

Mood Indigo IIT Bombay :D

Ilana X.

Duke Ellington - Mood Indigo

Mikhail Kallio

Великолепно!!!!!!!!!!!!!

BROUSSOLLE JACQUES

Magnifique

emilianoturazzi

wonderful voicing with trombone playing a second voice higher than clarinet :)

Limersjazz

Happy they go back at 2.36 to the original tempo.

Mike Bagby

The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues." It was "the first tune I ever wrote specially for microphone transmission," Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo," it became a jazz standard.#bags_atx_jazz_100 

Tiger MB

ポール・ゴンザルベスのテナー、渋い♡

Jozy yzoJ

Duke EllingtonMood Indigo#DukeEllington 

thierry lengrand

que du bonheur merci

R.L. Bogdanović

golden brown

Tender Huang

經典中的經典，從第一個音符到今天，爵士音樂史上，一百首最經典的爵士樂曲，排行榜No.8 Mood Indigo (Duke Ellington)Mood Indigo" “心情靛藍”（1930）（1955）是一個爵士樂組合和歌曲，與音樂與Duke Ellington and Barney Bigard 艾靈頓公爵和巴尼比加的歌詞由Irving Mills 歐文·米爾斯。Composition 組成這支曲子是由廣播電台1930年10月，最初名為"Dreamy Blues."“夢幻般的藍調”。 ，“埃林頓回憶說，這是”我曾經寫過專門麥克風傳輸第一首。 “第二天大把的郵件在熱烈討論新的曲調來，所以歐文米爾斯提出的抒情”。更名為 Mood Indigo“心情靛藍”，它成為一個爵士標準。雖然歐文米爾斯傑克·米爾斯的弟弟和出版合作夥伴了信貸的歌詞，在1987年的一次採訪中，作詞米切爾教區聲稱，他寫的歌詞。Sound 聲音提供BIGARD，誰知道它在路易斯安那州新奧爾良，從他的單簧管教師洛倫佐氧化鈦，誰把它稱為“墨西哥藍調”的主旋律。 Ellington的獨特安排第一個被錄音替布倫瑞克（貓編號：01068）於1930年10月17日由他的樂隊。於1930年，它被記錄兩次以上。這些錄音特色亞瑟Whetsol（小號），喬·南頓（長號），：巴尼BIGARD（單簧管），艾靈頓公爵（鋼琴），弗雷德·蓋伊（班卓琴），威爾曼布勞德（低音），桑尼格里爾（鼓）。關於這一塊是一個不尋常的事情的方式，公爵混紡小號靜音，靜音長號，單簧管，給一個​​統一的聲音。Rearrangement 重排是什麼讓這麼有趣的原始錄音（次），艾靈頓已採取傳統的一線，小號，長號，單簧管，並把它們“倒掛的事實。”前三種錄音在1930年的時候，通常表達的角，將單簧管的頂部（最高間距），在中間的小號，長號的底部（最低間距）。在“心情靛藍，”埃林頓配音長號樂器的寄存器的頂部，並在非常低的單簧管。這是聞所未聞的時間，並且還創建（工作室）所謂的“麥克音”效應所產生的泛音，單簧管和長號（這是緊緊以及靜音）。 “話筒音”給音頻幻覺的存在第四個聲響，或樂器。埃林頓是重新僱用這樣的效果（在我）Solitude" “孤獨”（1932年），"Dusk“黃昏”（1940年）和許多其它的整個職業生涯。埃林頓樂隊演出和錄歌不斷根據杜克大學在其整個50年，無論是在其原來的形式和個人獨奏家車輛。它仍然是一個主要的艾靈頓公爵樂團。"Mood Indigo" (1930) & (1955) is a jazz composition and song, with music by Duke Ellington and Barney Bigard with lyrics by Irving Mills.CompositionThe tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues." It was "the first tune I ever wrote specially for microphone transmission," Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo," it became a jazz standard.While Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, in a 1987 interview, lyricist Mitchell Parish claimed that he had written the lyrics. SoundThe main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's distinctive arrangement was first recorded by his band for Brunswick Records (Cat No. 01068) on 17 October 1930. It was recorded twice more in 1930. These recordings featured Arthur Whetsol (trumpet), Joe Nanton (trombone), Barney Bigard (clarinet), Duke Ellington (piano), Fred Guy (banjo), Wellman Braud (bass), Sonny Greer (drums). An unusual thing about this piece was the way that the Duke blended the muted trumpet, muted trombone and clarinet, to give a unified sound.RearrangementWhat makes the original recording(s) so interesting is the fact that Ellington has taken the traditional front-line of trumpet, trombone and clarinet, and turned them "upside down." At the time of these first three recordings in 1930, the usual voicing of the horns would be clarinet at the top (highest pitch), trumpet in the middle, and the trombone at the bottom (lowest pitch). In "Mood Indigo," Ellington voices the trombone right at the top of the instrument's register, and the clarinet at the very lowest. This was unheard of at the time, and also created (in the studio) a so-called "mike-tone"—an effect generated by the overtones of the clarinet and trombone (which was tightly muted as well). The "mike-tone" gives the audio-illusion of the presence of a fourth "voice," or instrument.Ellington was to re-employ this effect in "(In My) Solitude" (1932), "Dusk" (1940) and many other pieces throughout his career. The Ellington band performed and recorded the song continuously throughout its 50 years under Duke, both in its original form and as a vehicle for individual soloists. It remains a staple of the Duke Ellington Orchestra.From Wikipedia，the free encyclopediOrder Release : Tender Huang Music Studio

ricardo rodrigues

Paul Gonsalves is my first cousin once removed on my mom's side. She said he used to come to Norwich, CT.and visit the family when he was on the East Coast.

2334nate

Mara Esty? No. Matt. Matt Esty. I know, putting my name on it? Yeah.

2334nate

What I meant was... Not slung, the overall sound compliments one another. The slices make the loaf type stuff, ok. Oh by the the by, this is Mara Esty, not my older brother, but this is his iPad. Yo.

2334nate

This oboe is magnetism ear stuff, the pace is an illusion, and overall, the slung

Volker Stark

*Duke Ellington - Mood Indigo*with Paul Gonsalves, Sam Woodyard, John Lamb, Lawrence Brown, Russell Procope, Harry Carney.

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