Who Are You - Isolated Drums descargar videos gratis

tutoch

this guy was a genius that only today i can truly appreciate ,

Chris Perlberg

love it

VaughnDJs

hear Moon yelling from 1:37 through each of the next fills lol

LightenUpMcGraw

Listen to the drums with the music and it transforms into The Who, but just for shits and giggles, go ahead and list your credentials as a drummer Kakein your eyes.

crlaw75

Listen to "Amazing Journey" for that.

drummerboy231434

Its the actual take that ended up on the record

Douglas Brown

Does anyone notice at 3:30 it's sounds like a piece came loose and fell off?

drummer78

Fueled on Brandy and cocaine.

nedmarc

A good drummer knows when to drum and when to keep silent. He also knows how to get many tones out of his drums. Keith was beyond a good drummer!

timwho72

Young man blues isolated drums

Aenima1996

@lexy67flc i agree with you except i don't think keith was an absolute mess by this time and he drummed pretty good on this song. nothing compared to live at leeds but hey that was back in 1970 they were practicaly at the top of their career with shitloads of energy to give, as they were still young.

Kevin R.

These Premier drums sound GREAT. Nice match w the pAisTe cymbals

Rownolds77

This isolated track illustrates ‘Keith Moon style drummer’ perfectly. Thanks so much for posting it!

Rownolds77

(Continued, still quoting ‘The New Yorker’) He did keep the beat, and very well, but he did it by every method except the traditional one. … Moon clearly found repetition dull… Everyone else in the band gets to improvise, so why should the drummer be nothing more than a condemned metronome? … It follows from this that the drummer will be playing a line of music, just as, say, the guitarist does, with undulations and crescendos and leaps." quote ends.

Rownolds77

(Continued, still quoting ‘The New Yorker’) The filler is the fun stuff, and it could be said, without much exaggeration, that nearly all the fun stuff in drumming takes place in those two empty beats between the end of one phrase and the start of another…Keith Moon ripped all this up. There is no time-out in his drumming…It’s all fun stuff. The first principle of Moon’s drumming was that drummers do not exist to keep the beat. (To be continued)

Rownolds77

(Continued, still quoting ‘The New Yorker’) This results in the familiar ‘boom-DA, boom-boom-DA’ sound of most rock drumming. A standard-issue drummer…would keep his 4/4 bet steady …until the end of the …musical …phrase, where …a wordless, two-beat half-bar readies itself for the repeated chorus. In that half-bar, there might be space for a quick roll, or a roll and a triplet, or something fancy with snare and high hat…. (to be continued)

Rownolds77

From ‘The New Yorker’ Nov 29, 2010, by James Wood - well worth reading: “Most rock drummers, ever very good and inventive ones, are timekeepers. There is a space for a fill or a roll ant the end of a musical phrase, but the beat has primacy over the curlicues. In a regular 4/4 bar, the bass drum sounds the first beat, the snare the second, the bass drum again hits the third (often with two eighth notes at this point), and then the snare hits the bar’s final beat. (to be continued)

kingsofleonfan09

has any got the orgnial version isloated of who are you for all the instruments

benabz

love the shouts - more more!!!

Seitzy411

@Leftyguitarplayer123 we was pretty extrovert while playing. AKA he would scream while doing fills because his fills are nearly impossible to play

Pinball Wizard

Pinball Wizard - Drum Isolated

Who Are You

Who Are You - Pete Townshend Demo