Gandalf arrives at Bilbo's doorstep. "Here's the Shire
theme without whistle," points out the composer.
"It makes it seem a little more nostalgic with just
the strings, like an older version of what you heard
earlier for Frodo. It's a bit statelier—a little more
elegant than with the whistle." Once the action moves
inside Bag End, Shore plays up both the humorous
and enigmatic airs of this little hobbit and the quest
he will soon set into motion. "It's the expectation of
the chord progressions, because you know you're in
a new place and you're excited," he explains. Of course, yet another kind of expectation is articulated in a passing glance at a rather
familiar looking map adorned with a dragon. Shore smiles, "It's just a little hint of mystery and intrigue."
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