Michael Rabin - Elgar: La capricieuse descargar videos gratis


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Duración: 04:05
Subido: 2008/06/12

La capricieuse -- morceau de genre, for violin & piano, Op. 17

Michael Rabin - Violin

Leon Pommers - Piano

Biography

Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent.

He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra.

Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra.

Rabin played in a Bel Canto style. During a recital in Carnegie Hall, he suddenly fell forward and momentarily lost his balance, and this was the beginning of a neurological condition which was to affect his career adversely. He died prematurely at the age of 35 from a head injury sustained in a fall at his New York apartment.

He performed for many years on the "Kubelik" Guarnerius del Gesu of 1735.

Comentarios

5 years ago

Chuck Cornelius

i would kill to have a staccato like that, and his trill. both so fast and clean, impossible for a mere mortal like me.

6 years ago

K. Horvath

6 years ago

subzero ch

7 years ago

Darren Briggs

Even in very fast passages Michael is able to deliver a fantastic clarity and purity of tone. The glissandos are tasteful and never excessive. He well deserves the universal praise he has received. I think he comes closest to realizing many composer's ideal. All this with minimal show biz drama. There is no swooning or dramatic eye rolling as is common in newly arrived virtuosos. In hundreds examples he exceeds all other recorded attempts.

11 years ago

mike weston

The master throws another little ditty off of the cuff! Wonderful stuff.

12 years ago

AvivaChertok

Old recordings have a whistful, irreplaceable charm and beauty. 14,000 views? Doing better than some classic music on youtube, but really, let's all pray for the day classical music gets 1,400,000 views! Lisa, 17, Chicago

12 years ago

lanarv

It's always a MIRACLE listening Michael Rabin ! every single sound is SO GRACEFUL for my ears ..:-) Thank you very much for sharing !

13 years ago

paganviodio

well i just believe what i hear. hassid has a slower staccato, a slower stac.to play clearer is not a big deal, stac. will be inaccurate when it gets faster. from this point of view, to play this fast stac. in this clearity as rabin, is simply amazing, this stac. is even better than, lets say perlman version as well, and of course hassid version too.

13 years ago

paganviodio

@ericgable i did....this version is abviously more accurate, better staccato, faster...technically better. musically also not worser than hassid. rabin was a better violinist.

13 years ago

paganviodio

i also think that, this the best version of the piece, and very nice staccato...

14 years ago

ItzhakRoxMySox

@jepdez Are you deaf?

14 years ago

poseuresque

hassid made everything sound sad, i like that

14 years ago

Gonzalo Flores

I love how heifetz always does staccato pieces with the original bowing he's so amazing.

14 years ago

Gonzalo Flores

best version of this piece in my opinion. Gitlis version is too fast and "glassy" sounding. but nevertheless i still love him. thanks for teh post

14 years ago

SoCalTrojan

this is incredible. i want to play like this =[

14 years ago

ItzhakRoxMySox

So much better than Heifetz. Much cleaner, crisper, and more entertaining. No contest.

15 years ago

romuloremulo

Absolutly Beautiful playing !

15 years ago

Mikko Lampila

Rabin`s playing here is technically better than Heifetz and Josef Hassid. Here the sound quality is really poor but the recording is excellent. (Sorry Heifetz fans)

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