John Hartford - Learning To Smile -03 Gentle On My Mind + Way Down The River Road descargar videos gratis


479,736
Duración: 06:08
Subido: 2008/02/11

Shot in a studio with TV cameras, and no audience, John sings many favorites on this video.

Never released on DVD, and no longer produced on VHS, this OOP video is getting harder to find.

I was lucky enough to obtain a sealed copy and encode off the 1st play of the tape.

Comentarios

8 years ago

Col Johnson

Thank you for posting. He never came to Australia.

9 years ago

Christopher Long

I hear ya John... I miss ya. 

9 years ago

Anthony Bigler

Fantastic! Thank you so much for uploading this :-)

9 years ago

sister maria

that f***ing thing he does with his feet!!!

9 years ago

Brett Hemphill

Glen Campbell, John Hartford, Elvis Presley, Dean Martin, Frank Sinatra, Waylon Jennings, Band Perry... So many artists singing this song !) Band Perry gets my vote on the Music Video but this version wins my PlayList!

9 years ago

jmast3

An American Treasure...

9 years ago

David Johnson

John Hartford was a truly gifted musician and an Southern American original with few peirs.He was MC at Merle Fest when I saw him last. In spite of his advanced illness, his personality, genius and presence was unforgettable. 

9 years ago

Merlyn Schutterle

Nobody would ever confuse John for Scruggs or any of his clones. John had a distinctive style of his very own Just as distinctive as Earl.

9 years ago

Teachering

I loved the opening moments of The Glen Campbell Goodtime Hour when John Hartford would stand up amidst the audience with his banjo and begin Gentle On My Mind. Loved that song and the sound of his banjo. These musicians were my biggest influence as a kid.

9 years ago

cluxseltoot

Genius.

9 years ago

Edward Sullivan

*John Hartford was born 77 years ago today*Commentary from +Frank Beacham Hartford was a folk, country and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style and extensive knowledge of Mississippi River lore.Hartford performed with a variety of ensembles throughout hiscareer, and is perhaps best known for his solo performances where he would interchange the guitar, banjo and fiddle from song to song. He also invented his own shuffle tap dance move, and clogged on an amplified piece of plywood while he played and sang.Hartford spent his childhood in St. Louis, Missouri. There he was exposed to the influence that would shape much of his career and music — the Mississippi River. From the time he got his first job on the river, at age 16, Hartford was on, around or singing about the river.His early musical influences came from the broadcasts of the Grand Ole Opry in Nashville, and included Earl Scruggs, nominal inventor of the three-finger bluegrass style of banjo playing. Hartford said often that the first time he heard Earl Scruggs pick the banjo changed his life.By age 13, Hartford was an accomplished old-time fiddler and banjo player, and he soon learned to play guitar and mandolin as well. Hartford formed his first bluegrass band while still in high school at John Burroughs School.In 1965, he moved to Nashville, the center of the country music industry. In 1966, he signed with RCA Victor and produced his first album, Looks at Life, in the same year.In 1967, Hartford's second album Earthwords & Music spawned his first major hit, "Gentle On My Mind." His recording of the song was only a modest success, but it caught the notice of Glen Campbell, who recorded his own version, which gave the song much wider publication.At the 1968 Grammys, the song netted four awards, two of which went to Hartford. It became one of the most widely recorded country songs of all time, and the royalties it brought in allowed Hartford great financial independence; Hartford would later say that the song bought his freedom.In live performances, John Hartford was a true "one-man band;" he utilized not only a multitude of stringed instruments, but also a variety of props such as plywood squares and boards with sand and gravel on which to stomp, kick and scrape to create natural and organic background noises.During the years 1968-1970, Hartford recorded four more albums for RCA: The Love Album, Housing Project, John Hartford and Iron Mountain Depot. In 1971, he moved over to Warner Bros. Records, where he was given more freedom to record in his untraditional style.There, fronting a band that included Vassar Clements, Tut Taylor and Norman Blake, he recorded several extraordinary albums that set the tone of his later career, including the acclaimed Aereo-Plain and Morning Bugle. Of the former, Sam Bush said "Without Aereo-Plain (and the Aereo-Plain band), there would be no newgrass music."Switching several years later to the Flying Fish label, Hartford continued to participate in the experimentation with nontraditional country and bluegrass styles that he and artists such as Bush were engaging in at the time. Among his recordings were two albums in 1977 and 1980 with Doug and Rodney Dillard from The Dillards, with Bush as a backing musician, and featuring a diversity of songs that included "Boogie On Reggae Woman" and "Yakety Yak."He recorded several songs for the soundtrack to the movie O Brother, Where Art Thou, winning another Grammy for his performance, and made his final tour in 2001 with the Down from the Mountain tour that grew out of that movie and its accompanying album. While performing in Texas in April that year, he found he could no longer control his hands due to non-Hodgkin Lymphoma, and his career was finished.Though Hartford is considered a co-founder in the newgrass movement, he remained deeply attached to traditional music as well. His last band and last few albums reflect his love for pre-bluegrass old-time music. According to an interview with Don Swain, he described his love for the rare and nearly forgotten fiddle tunes of the Appalachians and Missouri foothills.The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way," so he intertwined them whenever possible.In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi, Illinois and Tennessee rivers.From the 1980s onwards, Hartford had Non-Hodgkin lymphoma. On June 4, 2001, at Centennial Medical Center in Nashville he died of the disease at age 63.Here, Hartford sings several of his songs in the studio without an audience.

9 years ago

Dean Barnett

*John Hartford was born 77 years ago today*Commentary from +Frank Beacham Hartford was a folk, country and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style and extensive knowledge of Mississippi River lore.Hartford performed with a variety of ensembles throughout hiscareer, and is perhaps best known for his solo performances where he would interchange the guitar, banjo and fiddle from song to song. He also invented his own shuffle tap dance move, and clogged on an amplified piece of plywood while he played and sang.Hartford spent his childhood in St. Louis, Missouri. There he was exposed to the influence that would shape much of his career and music — the Mississippi River. From the time he got his first job on the river, at age 16, Hartford was on, around or singing about the river.His early musical influences came from the broadcasts of the Grand Ole Opry in Nashville, and included Earl Scruggs, nominal inventor of the three-finger bluegrass style of banjo playing. Hartford said often that the first time he heard Earl Scruggs pick the banjo changed his life.By age 13, Hartford was an accomplished old-time fiddler and banjo player, and he soon learned to play guitar and mandolin as well. Hartford formed his first bluegrass band while still in high school at John Burroughs School.In 1965, he moved to Nashville, the center of the country music industry. In 1966, he signed with RCA Victor and produced his first album, Looks at Life, in the same year.In 1967, Hartford's second album Earthwords & Music spawned his first major hit, "Gentle On My Mind." His recording of the song was only a modest success, but it caught the notice of Glen Campbell, who recorded his own version, which gave the song much wider publication.At the 1968 Grammys, the song netted four awards, two of which went to Hartford. It became one of the most widely recorded country songs of all time, and the royalties it brought in allowed Hartford great financial independence; Hartford would later say that the song bought his freedom.In live performances, John Hartford was a true "one-man band;" he utilized not only a multitude of stringed instruments, but also a variety of props such as plywood squares and boards with sand and gravel on which to stomp, kick and scrape to create natural and organic background noises.During the years 1968-1970, Hartford recorded four more albums for RCA: The Love Album, Housing Project, John Hartford and Iron Mountain Depot. In 1971, he moved over to Warner Bros. Records, where he was given more freedom to record in his untraditional style.There, fronting a band that included Vassar Clements, Tut Taylor and Norman Blake, he recorded several extraordinary albums that set the tone of his later career, including the acclaimed Aereo-Plain and Morning Bugle. Of the former, Sam Bush said "Without Aereo-Plain (and the Aereo-Plain band), there would be no newgrass music."Switching several years later to the Flying Fish label, Hartford continued to participate in the experimentation with nontraditional country and bluegrass styles that he and artists such as Bush were engaging in at the time. Among his recordings were two albums in 1977 and 1980 with Doug and Rodney Dillard from The Dillards, with Bush as a backing musician, and featuring a diversity of songs that included "Boogie On Reggae Woman" and "Yakety Yak."He recorded several songs for the soundtrack to the movie O Brother, Where Art Thou, winning another Grammy for his performance, and made his final tour in 2001 with the Down from the Mountain tour that grew out of that movie and its accompanying album. While performing in Texas in April that year, he found he could no longer control his hands due to non-Hodgkin Lymphoma, and his career was finished.Though Hartford is considered a co-founder in the newgrass movement, he remained deeply attached to traditional music as well. His last band and last few albums reflect his love for pre-bluegrass old-time music. According to an interview with Don Swain, he described his love for the rare and nearly forgotten fiddle tunes of the Appalachians and Missouri foothills.The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way," so he intertwined them whenever possible.In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi, Illinois and Tennessee rivers.From the 1980s onwards, Hartford had Non-Hodgkin lymphoma. On June 4, 2001, at Centennial Medical Center in Nashville he died of the disease at age 63.Here, Hartford sings several of his songs in the studio without an audience.

9 years ago

Randy Culler

*John Hartford was born 77 years ago today*Commentary from +Frank Beacham Hartford was a folk, country and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style and extensive knowledge of Mississippi River lore.Hartford performed with a variety of ensembles throughout hiscareer, and is perhaps best known for his solo performances where he would interchange the guitar, banjo and fiddle from song to song. He also invented his own shuffle tap dance move, and clogged on an amplified piece of plywood while he played and sang.Hartford spent his childhood in St. Louis, Missouri. There he was exposed to the influence that would shape much of his career and music — the Mississippi River. From the time he got his first job on the river, at age 16, Hartford was on, around or singing about the river.His early musical influences came from the broadcasts of the Grand Ole Opry in Nashville, and included Earl Scruggs, nominal inventor of the three-finger bluegrass style of banjo playing. Hartford said often that the first time he heard Earl Scruggs pick the banjo changed his life.By age 13, Hartford was an accomplished old-time fiddler and banjo player, and he soon learned to play guitar and mandolin as well. Hartford formed his first bluegrass band while still in high school at John Burroughs School.In 1965, he moved to Nashville, the center of the country music industry. In 1966, he signed with RCA Victor and produced his first album, Looks at Life, in the same year.In 1967, Hartford's second album Earthwords & Music spawned his first major hit, "Gentle On My Mind." His recording of the song was only a modest success, but it caught the notice of Glen Campbell, who recorded his own version, which gave the song much wider publication.At the 1968 Grammys, the song netted four awards, two of which went to Hartford. It became one of the most widely recorded country songs of all time, and the royalties it brought in allowed Hartford great financial independence; Hartford would later say that the song bought his freedom.In live performances, John Hartford was a true "one-man band;" he utilized not only a multitude of stringed instruments, but also a variety of props such as plywood squares and boards with sand and gravel on which to stomp, kick and scrape to create natural and organic background noises.During the years 1968-1970, Hartford recorded four more albums for RCA: The Love Album, Housing Project, John Hartford and Iron Mountain Depot. In 1971, he moved over to Warner Bros. Records, where he was given more freedom to record in his untraditional style.There, fronting a band that included Vassar Clements, Tut Taylor and Norman Blake, he recorded several extraordinary albums that set the tone of his later career, including the acclaimed Aereo-Plain and Morning Bugle. Of the former, Sam Bush said "Without Aereo-Plain (and the Aereo-Plain band), there would be no newgrass music."Switching several years later to the Flying Fish label, Hartford continued to participate in the experimentation with nontraditional country and bluegrass styles that he and artists such as Bush were engaging in at the time. Among his recordings were two albums in 1977 and 1980 with Doug and Rodney Dillard from The Dillards, with Bush as a backing musician, and featuring a diversity of songs that included "Boogie On Reggae Woman" and "Yakety Yak."He recorded several songs for the soundtrack to the movie O Brother, Where Art Thou, winning another Grammy for his performance, and made his final tour in 2001 with the Down from the Mountain tour that grew out of that movie and its accompanying album. While performing in Texas in April that year, he found he could no longer control his hands due to non-Hodgkin Lymphoma, and his career was finished.Though Hartford is considered a co-founder in the newgrass movement, he remained deeply attached to traditional music as well. His last band and last few albums reflect his love for pre-bluegrass old-time music. According to an interview with Don Swain, he described his love for the rare and nearly forgotten fiddle tunes of the Appalachians and Missouri foothills.The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way," so he intertwined them whenever possible.In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi, Illinois and Tennessee rivers.From the 1980s onwards, Hartford had Non-Hodgkin lymphoma. On June 4, 2001, at Centennial Medical Center in Nashville he died of the disease at age 63.Here, Hartford sings several of his songs in the studio without an audience.

9 years ago

Randy Culler

*John Hartford was born 77 years ago today*Commentary from +Frank Beacham Hartford was a folk, country and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style and extensive knowledge of Mississippi River lore.Hartford performed with a variety of ensembles throughout hiscareer, and is perhaps best known for his solo performances where he would interchange the guitar, banjo and fiddle from song to song. He also invented his own shuffle tap dance move, and clogged on an amplified piece of plywood while he played and sang.Hartford spent his childhood in St. Louis, Missouri. There he was exposed to the influence that would shape much of his career and music — the Mississippi River. From the time he got his first job on the river, at age 16, Hartford was on, around or singing about the river.His early musical influences came from the broadcasts of the Grand Ole Opry in Nashville, and included Earl Scruggs, nominal inventor of the three-finger bluegrass style of banjo playing. Hartford said often that the first time he heard Earl Scruggs pick the banjo changed his life.By age 13, Hartford was an accomplished old-time fiddler and banjo player, and he soon learned to play guitar and mandolin as well. Hartford formed his first bluegrass band while still in high school at John Burroughs School.In 1965, he moved to Nashville, the center of the country music industry. In 1966, he signed with RCA Victor and produced his first album, Looks at Life, in the same year.In 1967, Hartford's second album Earthwords & Music spawned his first major hit, "Gentle On My Mind." His recording of the song was only a modest success, but it caught the notice of Glen Campbell, who recorded his own version, which gave the song much wider publication.At the 1968 Grammys, the song netted four awards, two of which went to Hartford. It became one of the most widely recorded country songs of all time, and the royalties it brought in allowed Hartford great financial independence; Hartford would later say that the song bought his freedom.In live performances, John Hartford was a true "one-man band;" he utilized not only a multitude of stringed instruments, but also a variety of props such as plywood squares and boards with sand and gravel on which to stomp, kick and scrape to create natural and organic background noises.During the years 1968-1970, Hartford recorded four more albums for RCA: The Love Album, Housing Project, John Hartford and Iron Mountain Depot. In 1971, he moved over to Warner Bros. Records, where he was given more freedom to record in his untraditional style.There, fronting a band that included Vassar Clements, Tut Taylor and Norman Blake, he recorded several extraordinary albums that set the tone of his later career, including the acclaimed Aereo-Plain and Morning Bugle. Of the former, Sam Bush said "Without Aereo-Plain (and the Aereo-Plain band), there would be no newgrass music."Switching several years later to the Flying Fish label, Hartford continued to participate in the experimentation with nontraditional country and bluegrass styles that he and artists such as Bush were engaging in at the time. Among his recordings were two albums in 1977 and 1980 with Doug and Rodney Dillard from The Dillards, with Bush as a backing musician, and featuring a diversity of songs that included "Boogie On Reggae Woman" and "Yakety Yak."He recorded several songs for the soundtrack to the movie O Brother, Where Art Thou, winning another Grammy for his performance, and made his final tour in 2001 with the Down from the Mountain tour that grew out of that movie and its accompanying album. While performing in Texas in April that year, he found he could no longer control his hands due to non-Hodgkin Lymphoma, and his career was finished.Though Hartford is considered a co-founder in the newgrass movement, he remained deeply attached to traditional music as well. His last band and last few albums reflect his love for pre-bluegrass old-time music. According to an interview with Don Swain, he described his love for the rare and nearly forgotten fiddle tunes of the Appalachians and Missouri foothills.The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way," so he intertwined them whenever possible.In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi, Illinois and Tennessee rivers.From the 1980s onwards, Hartford had Non-Hodgkin lymphoma. On June 4, 2001, at Centennial Medical Center in Nashville he died of the disease at age 63.Here, Hartford sings several of his songs in the studio without an audience.

9 years ago

Frank Carney

Surely this is by a country mile the best American song ever: Though the wheatfields and the clotheslines and junkyards and the highways come between us. Peerless.

9 years ago

John Crismond

John Hartford wrote "Gentle on My Mind"

9 years ago

Mark Saunders

JOHN HARTFORD [ 1937-2001 ]

9 years ago

Karen Sue

I love this music. Saw this man in WV in Ronceverte. Y'all 'member. Spunky was described as lookin' like a 'carp in the sun'. 

9 years ago

CJ Mac

I love this song. Actually I love this version of this song. It feels so genuine when he's singing and you can see the joy he gets from playing in his little smirks. Blows me away. I really hope this doesn't get taken down because I can't find this show anywhere. Thx johnny85er

9 years ago

Norman Lira

guessing from the comments...he's a redneck legend....?

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