George London - Le Veau d'Or descargar videos gratis


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Duración: 02:09
Subido: 2007/04/16

Bass-baritone George London singing Le Veau d'Or from Gounod's Faust (Audio Only)

Comentarios

10 years ago

uriel ruvalcaba

Satanás en persona!!!

11 years ago

Yitzhakhazak

Magnificent voluminous voice. Most of all he should be admired for his courage to attack the high notes of the baritone tessitura at full volume, which would have scared off many a lighter baritone. Lots of mask! Lots of support! Lots of power! Oooohaaa would say a singing marine!

11 years ago

Alain Contant

Débit plus lent mais bien meilleure diction. Bravo!

11 years ago

Olga Sofia Silva

Oh wow!!!! Just... wow!

12 years ago

Matthew Wetmore

I love London.. But, Ghiaurov is the best devil ;D

13 years ago

Louis A. Waldman

Veramente magnifico!

13 years ago

massimo cesare Annaloro

Chi ama London sa. Immenso!

13 years ago

artotheque

Magnifique timbre, diction excellente. ça traine un peu, mais l'esprit méphistophélique est bien là !

13 years ago

Steve Van Dien

@paulostroff99 O gosh, how the mouth waters to contemplate Vickers and London in Otello . . . holy cow!

13 years ago

Paul Ostroff

@stevevandien -Better still would have been Jon Vickers and George London-both Canadians and Vickers best role,doing those honours.

14 years ago

Steve Van Dien

London was a true bass-baritone. His voice was large and rich, well suited to dramatic roles; although his comfortable range (two octaves from low F or G to high G) did not encompass most Verdi parts besides Amonasro. He was, however, comfortable in roles such as Scarpia, Escamillo, the Dutchman, the Walkure Wotan, Boris, Amfortas -- that's off the top of my head. Also Mephisto in "Faust;" he was probably quite capable of Boito's opera as well, but don't know if he ever sang it --

14 years ago

Steve Van Dien

What a WONDERFUL description of this great artist's voice! I'd only suggest that the drink of chocolate be HOT, rather than warm:). Bottom line, London's voice was both voluminous AND beautiful. That combination is pretty dang rare --

14 years ago

Steve Van Dien

London's comfortable low extension stopped at G, a note or so under that of most true baritones. Although he had an A flat two octaves higher, his most comfortable top was F-sharp or G. True basses can sing down to the low E at least, and their best top notes tend to stop at F. (There are of course exceptions.) So despite his bassish timbre, London fell exactly between bass and baritone -- in other words, a bass-baritone. And he was a great artist:) --

14 years ago

ArentWeSpecial

I hope you find a way to upload it. :) Maybe if you give me the info on the performance I could look for it?

14 years ago

K3yP1ayer

Sorry, but I don't have the right technology to do so, and what little technology I do have works only one way, from digital tape to the PC, not from a DVD to digital tape and then to the PC. Maybe later this summer when my college son visits and we work on it using his laptop with the DVD player in it.

14 years ago

ArentWeSpecial

For the love of all that is good and holy, upload it! Please!

15 years ago

K3yP1ayer

London's version is the best on YouTube, however, I have a video of Samuel Ramey doing it in a concert and seeing is believing! Wish we had that one on YT for comparison.

15 years ago

odontotazio

Impressionante, pensare che questo ruolo oggi è interpretato da Raimondi......

15 years ago

stephenjoeagi

Glorious !!!!!

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