Johnny Cash - "Tennessee Flat Top Box" Instrumental Cover - Luther Perkins Guitar Style video free download

Hey!

Had a recording session today with my friend again, and as a result we are covering Johnny Cash's "Tennessee Flat Top Box". We play all the instruments in this video. Hope you enjoy!

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No copyright infringement intended, this is for entertainment purpose only.

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Lyrics:

"Tennessee Flat-Top Box"

In a little cabaret in a South Texas border town,

Sat a boy and his guitar, and the people came from all around.

And all the girls from there to Austin,

Were slippin' away from home and puttin' jewelery in hock.

To take the trip, to go and listen,

To the little dark-haired boy who played the Tennessee flat top box.

And he would play: [Instrumental]

Well, he couldn't ride or wrangle, and he never cared to make a dime.

But give him his guitar, and he'd be happy all the time.

And all the girls from nine to ninety,

Were snapping fingers, tapping toes, and begging him: "Don't stop."

And hypnotized and fascinated,

By the little dark-haired boy who played the Tennessee flat top box.

And he would play: [Instrumental]

Then one day he was gone, and no one ever saw him 'round,

He'd vanished like the breeze, they forgot him in the little town.

But all the girls still dreamed about him.

And hung around the cabaret until the doors were locked.

And then one day on the Hit Parade,

Was a little dark-haired boy who played the Tennessee flat top box.

And he would play: [Instrumental]

About Luther Perkins:

Luther Monroe Perkins (January 8, 1928 -- August 5, 1968) was an American country music guitarist and a member of the Tennessee Three, the backup band for singer Johnny Cash. Perkins was an iconic figure in what would become known as rockabilly music. His creatively simple, sparsely-embellished, rhythmic use of Fender Esquire, Jazzmaster and Jaguar guitars is credited for creating Cash's signature "boom-chicka-boom" style.

Perkins was born in Memphis, Tennessee, the son of a Baptist preacher. He grew up in Como, Mississippi, and taught himself to play rhythm guitar.

Perkins started his career in 1953 as a mechanic at Automobile Sales Company in Memphis. He specialized in electrical systems and radio repairs. Roy Cash, Sr., older brother of Johnny Cash, was service manager at the dealership. At the time, the younger Cash was stationed in Germany with the US Air Force. At Automobile Sales, Perkins met co-workers Marshall Grant and A.W. 'Red' Kernodle. Grant, Kernodle and Perkins began bringing their guitars to work, and would play together when repair business was slow.

When Johnny Cash moved to Memphis after returning from Germany in 1954, Ray Cash introduced him to Grant, Kernodle and Perkins. The four began to get together in the evenings at Perkins's or Grant's home and play songs. It was during this time that they decided to form a band, with Grant acquiring a string bass, Kernodle a six-string steel guitar, and Perkins buying a somewhat-abused Fender Esquire electric guitar from the O.K. Houck Piano Co. in Memphis. The guitar had been modified by a previous owner, and the volume and tone controls did not work.

Since he could not control the volume of the single-pickup instrument, Perkins began the practice of muting the three bass strings (E, A and D) with the heel of his right hand, much in the style of Merle Travis, and scratching a rhythm pattern (as heard on Sun Records recordings prior to 1958). This pattern developed into a more defined, varying 1/8-8/5/8-8 picking (with random syncopation) on later Sun recordings and for the rest of Perkins' career.

In late 1954, when Cash got an audition with producer Sam Phillips at Sun Records, he brought Perkins, Grant and Kernodle along to back him instrumentally. The experience made Kernodle nervous, and he ended up leaving before the session was over, with Perkins and Grant providing the instrumentation.

Perkins, as a member of the Tennessee Two (later, the Tennessee Three, with the addition of drummer W.S. "Fluke" Holland), toured with Cash and appeared on most of his recordings. He was well known for his laconic, focused demeanor on stage. He was often the target of jokes by Cash, who would make comments such as "Luther's been dead for years, but he just doesn't know it".

***NO COPYRIGHTS INTENDED.

THIS SONG DOES NOT BELONG TO ME, IT BELONGS TO JOHNNY CASH AND THE TENNESSEE TWO, AND COLUMBIA RECORDS. THIS IS MY COVER VERSION OF A SONG WRITTEN BY SOMEONE ELSE.