18 - John Frusciante - The Slaughter (Shadows Collide With Peoplle) video free download


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Duration: 03:55
Uploaded: 2010/10/07

John Frusciante - The Slaughter

Album: Shadows Collide With People (2004)

Shadows Collide with People is the fourth studio album by John Frusciante, released February 24, 2004. The album was written during the recording of By the Way, and is widely regarded as his most accessible work, featuring a mix of guitar-driven alternative rock, folk ballads, and electronica. Frusciante has stated that this was his most expensive album to date, costing around $150,000 to produce.

Flea plays a double bass on "The Slaughter", the closing track of the album. All tracks were written by John Frusciante and the majority of the vocal work is performed by him.

Frusciante also made acoustic and demo versions of these tracks available to fans through his official site, now only a blog, as an alternative to the highly produced sound of the record. A promo version of the album was also made, with the tracks "Omission", "Song to Sing When I'm Lonely", and "Failure 33 Object".

The album reached number 191 on the Billboard 200 and #11 on Heatseekers.

On the vinyl release of the album the words "One step away" were inscribed on side A, "There's riddles in the shadows" on side B, "A hint of sadness" on side C, and '"What they least suspect is coming next" on side D. All of these were hints to lyrics on John's next solo album The Will to Death.

1. Carvel [4:14]

2. Omission [4:34]

3. Regret [2:58]

4. Ricky [3:57]

5. Second Walk [1:42]

6. Every Person [2:38]

7. -00Ghost27 [3:50]

8. Wednesday's Song [3:31]

9. This Cold [2:00]

10. Failure33Object [2:55]

11. Song To Sing When I'm Lonely [3:17]

12. Time Goes Back [3:23]

13. In Relief [3:36]

14. Water [4:06]

15. Cut-Out [3:34]

16. Chances [1:50]

17. 23 Go In To End [6:42]

18. The Slaughter [3:52]

19. Of Before [3:17] (Japanese bonus track)

Lyrics:

I'll know her face a mile away

I'll know her face a mile away

I'll know her face a mile away

I'll know her face a mile away

You'll be there in the slaughter

Freeing me when I'm cornered

Being arrested by the mind cops (oooh)

They're the only ones worth changing what you do for (oooh)

And I try to be in the line

I guide my fate (ooh)

And what it's good for there's no telling

It's blood

It's a flood

I'll know her face a mile away

She'll take me straight through that gate

I'll know her face a mile away

She'll take me straight through that gate

Living there in a flower (oooh)

You wouldn't have made it without her (oooh)

Though she seems to stay in one place (oooh)

She grows with your life (oooh)

So cry for time (oooh)

What's slow is fast at the same time (oooh)

It comes to life

And if it dies (oooh)

You'd never notice it cuz it

It slides as it climbs

I'll know her face a mile away

I'll know her face a mile away

I'll know her face a mile away

I'll know her face a mile away

I'll know my pain is a life away

I'll know my pain is a life away

I'll know my pain is a life away

I'll know my pain is a life away

Credits:

Release date: 23rd February 2004 in US, 24th February in the rest of the world, 3rd March in UK and 6th March in Japan

Released: Worldwide

Publisher: Warner Bros

Duration: 1 hour, 4 minutes, 50 seconds

Bonus track: "Of Before" available on the Japanese import of the CD

John plays: Guitar, bass, synthesizer, drums and percussion

Other musicians: Josh Klinghoffer plays the same instruments as John (they're listed together in the credits); Chad Smith plays drums and percussion, Omar Rodriguez plays slide guitar on "Chances" and "23 go in to end" Flea plays upright bass on "The Slaughter" and Charlie Clouser did orchestral programming on "Regret" and "Chances"

Produced by: John Frusciante

Engineered by: Jim Scott, Ryan Hewitt; "23 go in to end" and "Failure33Object" by Ethan Mates

Mixed by: Jim Scott

Assisted by: Chris Holmes, Jason Grossman, Chris Ohno

Recorded/mixed at: Cello Studios, Hollywood, CA, USA

Mastered by/where: Bernie Grundman/Bernie Grundman Mastering Hollywood, CA, USA

Designed by: Richard Scane Goodheart

Cover painting by: Rene Ricard

Art direction by: John Frusciante

Equipment by: Dave Lee

Management: Q-Prime Inc.

http://invisible-movement.net/

Comments

8 years ago

HopiateForThePeople

love when that drum machine kicks in!

8 years ago

Adhesive Loki

I'll know deez nuts from a mile away

9 years ago

Carlo De Simone

Its a God dam FLOOD!!!

9 years ago

theberto

best song ever

9 years ago

elvis hernandez

wait! wth? i dont remember hearing the first 30 secs, is there a different version i may have heard besides the acoustic?

9 years ago

Vasil Kovachev

magic

9 years ago

Ungrowing

I don't know, or understand why people have a problem with an autotune. Anything that sounds good is music, why should you care if it's autotune or a sound of two cats having sex upside down(i am not saying that this sounds good), or a wind moving branches of a tree, in my mind, if something sounds good it's music.

10 years ago

Edmund Combs

pristine 

10 years ago

Cloud Strife

What did that comment say? I'm curious.

10 years ago

sweenith

Pristine and beautiful. Thanks John.

10 years ago

William H. Bonney

You'll be there in the slaughter

10 years ago

Gian Carlo

No words to describe feelings

10 years ago

Hydrox

Emotions.

10 years ago

usablefiber

Same Here. As a die hard JF and RHCP fan I am falling in love with this record. Just started listening to it about a week ago and now it is playing basically nonstop in my car. It's a brilliant record!

10 years ago

Mauro Belarde

Sublime.

10 years ago

djelectric

No, a year-old post replier, i had a typo... i have many

10 years ago

OfficialSolidState

Vocoding is basically more heavy autotuning. You people really don't like that word, do you?

11 years ago

Steve Madden

what i don't get is, why it's took me 9 years to discover this album!! It's frickin amazing!!

11 years ago

SunGazer osan

I agree it could be about a substance :)

11 years ago

MoonBearBush

this .. 100% this.

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